At every step the vast majority have expressed horror at the idea of an aggressive war.

But the deep desire for peace remained with the American people.

Four hundred million in India, and millions everywhere, have told you, precisely, that the colored people are not going to die for anybody: they are going to die for their independence.

I do not hesitate one second to state clearly and unmistakably: I belong to the American resistance movement which fights against American imperialism, just as the resistance movement fought against Hitler.

Like any other people, like fathers, mothers, sons and daughters in every land, when the issue of peace or war has been put squarely to the American people, they have registered for peace.

The Korean war has always been an unpopular war among the American people.

You want to shut up every Negro who has the courage to stand up and fight for the rights of his people, for the rights of workers, and I have been on many a picket line for the steelworkers too.

The other reason that I am here today, again from the State Department and from the court record of the court of appeals, is that when I am abroad I speak out against the injustices against the Negro people of this land.

In fact, because of this deep desire for peace, the ruling class leaders of this land, from 1945 on, stepped up the hysteria and propaganda to drive into American minds the false notion that danger threatened them from the East.

You know I am an actor, and I have medals for diction.

I said it was my feeling that the American people would struggle for peace, and that has since been underscored by the President of these United States.

Yes, peace can and must be won, to save the world from the terrible destruction of World War III.

And at home in the United States we found continued and increased persecution, first of leaders of the Communist Party, and then of all honest anti-fascists.

This is the basis, and I am not being tried for whether I am a Communist, I am being tried for fighting for the rights of my people, who are still second-class citizens in this United States of America.

As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this.

Could I say that the reason that I am here today, you know, from the mouth of the State Department itself, is: I should not be allowed to travel because I have struggled for years for the independence of the colonial peoples of Africa.

We must join with the tens of millions all over the world who see in peace our most sacred responsibility.

And, gentlemen, they have not yet done so, and it is quite clear that no Americans, no people in the world probably, are going to war with the Soviet Union.

This United States Government should go down to Mississippi and protect my people. That is what should happen.

At every step the vast majority have expressed horror at the idea of an aggressive war.

Why should the Negroes ever fight against the only nations of the world where racial discrimination is prohibited, and where the people can live freely? Never! I can assure you, they will never fight against either the Soviet Union or the peoples' democracies.

I did a long concert tour in England and Denmark and Sweden, and I also sang for the Soviet people, one of the finest musical audiences in the world.

In Russia I felt for the first time like a full human being. No color prejudice like in Mississippi, no color prejudice like in Washington. It was the first time I felt like a human being.

I know that if the peace movement takes its message boldly to the Negro people a powerful force can be secured in pursuit of the greatest goal of all mankind. And the same is true of labor and the great democratic sections of our population.

My mother was born in your state, Mr. Walter, and my mother was a Quaker, and my ancestors in the time of Washington baked bread for George Washington's troops when they crossed the Delaware, and my own father was a slave.

Through the years I have received my share of recognition for efforts in the fields of sports, the arts, the struggle for full citizenship for the Negro people, labor's rights and the fight for peace.

The intolerance of the few, or the risk of it, carries the day against the wider humanity of the many.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

A win by an unsound combination, however showy, fills me with artistic horror.

You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.

As a small child, I felt in my heart two contradictory feelings, the horror of life and the ecstasy of life.

There is an element of anger among women who've been raped. There's certainly a major element of humiliation. But it really does seem like a medical condition of shock and horror.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

Horror is the natural reaction to the last 5,000 years of history.

This horror of pain is a rather low instinct and... if I think of human beings I've known and of my own life, such as it is, I can't recall any case of pain which didn't, on the whole, enrich life.

Horror does not interest me, and so I know little of its practicioners, old or current.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

This is an area you always need to address when you're dealing with Dracula is the fact that there is something kind of attractive in his darkness - which there isn't in other horror characters.

I have done some short pieces that are not horror.

I think what sets this one apart is that there are two horror movie icons finally battling each other. You actually see them beat the crap out of each other instead of just terrorizing the kids in the movie.

I saw 'Food, Inc.' last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own.

I'd never watch a horror film, but after I found out I was going to be in one, I watched, like, four of them, including The Shining, I was terrified - I couldn't sleep for days. But I wanted to get myself used to things I was going to see on the set.

You can't make people believe in you if you play a horror part with your tongue in your cheek.

I had grown up in a humanist atmosphere, and war to me was never anything but horror, mutilation and senseless destruction, and I knew that many great and wise people felt the same way about it.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.

An election is a moral horror, as bad as a battle except for the blood; a mud bath for every soul concerned in it.