I didn't write anything until I was well over 30.

I do like to embed a fictional character firmly in an occupation.

I didn't want it to be a book that made pronouncements.

I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for a plain one.

Deep down I have this atavistic feeling that really I should be in the country.

Every novel generates its own climate, when you get going.

The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.

I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement.

Since then, I have just read and read - but, that said, I suppose there is a raft of writers to whom I return again and again, not so much because I want to write like them, even if I were capable of it, but simply for a sort of stylistic shot in the arm.

We read Greek and Norse mythology until it came out of our ears. And the Bible.

I didn't write anything until I was well over 30.

I'm now an agnostic but I grew up on the King James version, which I'm eternally grateful for.

I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.

It seems to me that everything that happens to us is a disconcerting mix of choice and contingency.

You learn a lot, writing fiction.

I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.

We make choices but are constantly foiled by happenstance.

Getting to know someone else involves curiosity about where they have come from, who they are.

I didn't think I had anything particular to say, but I thought I might have something to say to children.

It was a combination of an intense interest in children's literature, which I've always had, and the feeling that I'd just have a go and see if I could do it.

We all need a past - that's where our sense of identity comes from.

Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.

The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.

There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.

I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.

I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.

The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.

I have had to empty two family homes during the last few years - first, the house that had been my grandmother's since 1923, and then my own country home, which we had lived in for over twenty years.

I rather like getting away from fiction.

I'm not an historian but I can get interested - obsessively interested - with any aspect of the past, whether it's palaeontology or archaeology or the very recent past.

Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.

All I know for certain is that reading is of the most intense importance to me; if I were not able to read, to revisit old favorites and experiment with names new to me, I would be starved - probably too starved to go on writing myself.

The consideration of change over the century is about loss, though I think that social change is gain rather than loss.

Every novel generates its own climate, when you get going.

Be true to thyself, as thou be not false to others.

Honestly, I'm not interested in gossip. Thing is, I know a lot of successful actors, and in hoping to be successful myself, I would like to think others would respect my privacy.

To be a part of Laika's universe is an opportunity not to be passed up.

Thirteen years after the end of the Soviet Union, the American press establishment seemed eager to turn Ukraine's protested presidential election on November 21 into a new cold war with Russia.

Where did you meet your best friend?--Middle School

What if today, we were just grateful for everything?

I beat Larry Holmes and George Foreman. I whupped Mike Tyson twice. I had my ear chewed off and spat on the ground in front of me. I've seen everything it is possible to see in boxing. I know this business better than anyone. So I live and die by my own decisions.

If women want to ensure themselves a meaningful place in the future, they need to be among those determining how the technology will be used. They need to be among those deciding whether it will be the great leveler or simply serve to worsen social divisions.

Having done 'Misfits' for three years solid, you become known for doing one thing, so I've wanted to change things up as much as possible with each job.

Rebuilding our communities where the police and citizens all see themselves as being on the same side will require contributions from all of us.

It would be nice to garner new fans and make it a success - and success is relevant, we already know all that.

I think you have to be a niche player. You've got to find smaller ideas that are going to benefit in the conditions as they are. You can change the conditions and always try to find ways to make money in the conditions as they exist.

Life is like a sewer... what you get out of it depends on what you put into it.

He shall sit solitary by avoiding the company of men, he shall hold his peace by meditating upon the joys of heaven, and he has risen above his state by tasting celestial delights.

'Negro' can refer to anyone with dark hair as well as dark skin, and I've been used to the word being used in Spanish in this way all my life.