I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for a plain one.

I do like to embed a fictional character firmly in an occupation.

I didn't want it to be a book that made pronouncements.

I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for a plain one.

Deep down I have this atavistic feeling that really I should be in the country.

Every novel generates its own climate, when you get going.

The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.

I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement.

Since then, I have just read and read - but, that said, I suppose there is a raft of writers to whom I return again and again, not so much because I want to write like them, even if I were capable of it, but simply for a sort of stylistic shot in the arm.

We read Greek and Norse mythology until it came out of our ears. And the Bible.

I didn't write anything until I was well over 30.

I'm now an agnostic but I grew up on the King James version, which I'm eternally grateful for.

I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.

It seems to me that everything that happens to us is a disconcerting mix of choice and contingency.

You learn a lot, writing fiction.

I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.

We make choices but are constantly foiled by happenstance.

Getting to know someone else involves curiosity about where they have come from, who they are.

I didn't think I had anything particular to say, but I thought I might have something to say to children.

It was a combination of an intense interest in children's literature, which I've always had, and the feeling that I'd just have a go and see if I could do it.

We all need a past - that's where our sense of identity comes from.

Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.

The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.

There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.

I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.

I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.

The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.

I have had to empty two family homes during the last few years - first, the house that had been my grandmother's since 1923, and then my own country home, which we had lived in for over twenty years.

I rather like getting away from fiction.

I'm not an historian but I can get interested - obsessively interested - with any aspect of the past, whether it's palaeontology or archaeology or the very recent past.

Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.

All I know for certain is that reading is of the most intense importance to me; if I were not able to read, to revisit old favorites and experiment with names new to me, I would be starved - probably too starved to go on writing myself.

The consideration of change over the century is about loss, though I think that social change is gain rather than loss.

Every novel generates its own climate, when you get going.

Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.

Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.

The biggest fool in the world is he who merely does his work supremely well, without attending to appearance.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

When the cinematograph first made its appearance, we were told that the days of the ordinary theatre were numbered.

I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for a plain one.

I make appearance at local park and recreation agencies when the program starts, when they have the qualifying meets at the local levels. Then I try to go to the regional competitions, and of course I'm there in Hershey, Pa., in August for the North American final.

The Crosby family is sort of legendary for all of its traumas and familial problems, even though it has this appearance of being this perfect world. It had quite a dark side to it.

In appearance the labor system of all the colonies was the same.

We wanted to make sure that the film covered the main issues of his life. Musicianship, appearance.

On some level any appearance on Television can be seen as a product endorsement.

I don't think people were betting on me, but they were giving me a chance. I think I rode a wave there, by being different in appearance than the girls who preceded me.

Humility is the foundation of all the other virtues hence, in the soul in which this virtue does not exist there cannot be any other virtue except in mere appearance.

Polite strangers often tell soothing lies about our physical appearance that prevent many of us from facing, discussing and solving our real problems.

The discovery of truth is prevented more effectively, not by the false appearance things present and which mislead into error, not directly by weakness of the reasoning powers, but by preconceived opinion, by prejudice.