When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though.

I can't believe I actually was in my own movie.

The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.

I really feel kind of guilty spending 80 million dollars. People are starving in the world.

Your best protection is to have an established agent make the contact.

Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America.

This generation has given up on growth. They're just hoping for survival.

Big studio comedies are such a headache.

I actually picked up copies of Decline I and II at a flea market once. I walked out without paying.

Now, it's almost impossible to go out and do a film about a new form of music.

I live on this nice three acres in Hollywood.

Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.

I got IRS records to finance what I wanted to do.

There are thousands of directors in Hollywood.

For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.

If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.

When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though.

Rabid fans were literally jumping into the camera.

Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.

I was always into music. I think everyone is when they're a teenager, as a way to drown out the world.

Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.

I love punk rock, but I also love metal.

When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them.

In other countries, it's a common thing to have outcast children running around the streets in packs, and I don't think we're so far away from it here.

Different parents have different standards for their children.

It is the idea that it's a movie in a movie. So I did it.

It's really hard to imagine there ever being the kind of impact there was when punk rock happened in the late 70's. I wish there would be one big change like that again, but I don't know if that'll ever happen.

Arnold and Jamie Lee must have worked over the years with directors that did 50 takes, because I'd get like three takes or so and say, Ok, that's it, we're done.

Nobody wanted to touch Decline III when they found out what it was about.

It is fun to try figure out the things that really are real and the things that aren't.

This generation has given up on growth. Theyre just hoping for survival.

Hell, if I'd jumped on all the dames I'm supposed to have jumped on, I'd have had no time to go fishing.

What the hell difference does it make, left or right? There were good men lost on both sides.

A worker's paradise is a consumer's hell.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

The Clinton administration launched an attack on people in Texas because those people were religious nuts with guns. Hell, this country was founded by religious nuts with guns. Who does Bill Clinton think stepped ashore on Plymouth Rock?

I just had one of those "what the hell are we doing" moments.

Mankind is not likely to salvage civilization unless he can evolve a system of good and evil which is independent of heaven and hell.

Capitalism without bankruptcy is like Christianity without hell.

Looking back, I think we were all quite mature, surprisingly responsible. In earlier wars, boys of our age had just gone off to raise hell or enlist or both, but we stayed dutifully at our desks doing tomorrow's homework.

As memory may be a paradise from which we cannot be driven, it may also be a hell from which we cannot escape.

It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, more vengeance, more desolation. War is hell.

Hell hath no fury like a liberal scorned.

How well I have learned that there is no fence to sit on between heaven and hell. There is a deep, wide gulf, a chasm, and in that chasm is no place for any man.

I would rather my soul broil in hell than I do you any harm.

In Hell all the messages you ever left on answering machines will be played back to you.

I'm not a humanitarian, I'm a hell-raiser.

I believe that I am in hell, therefore I am there.

Why? Will no man ever do something without a why? Just like that? For the hell of it?