In other countries, it's a common thing to have outcast children running around the streets in packs, and I don't think we're so far away from it here.

I can't believe I actually was in my own movie.

The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.

I really feel kind of guilty spending 80 million dollars. People are starving in the world.

Your best protection is to have an established agent make the contact.

Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America.

This generation has given up on growth. They're just hoping for survival.

Big studio comedies are such a headache.

I actually picked up copies of Decline I and II at a flea market once. I walked out without paying.

Now, it's almost impossible to go out and do a film about a new form of music.

I live on this nice three acres in Hollywood.

Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.

I got IRS records to finance what I wanted to do.

There are thousands of directors in Hollywood.

For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.

If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.

When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though.

Rabid fans were literally jumping into the camera.

Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.

I was always into music. I think everyone is when they're a teenager, as a way to drown out the world.

Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.

I love punk rock, but I also love metal.

When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them.

In other countries, it's a common thing to have outcast children running around the streets in packs, and I don't think we're so far away from it here.

Different parents have different standards for their children.

It is the idea that it's a movie in a movie. So I did it.

It's really hard to imagine there ever being the kind of impact there was when punk rock happened in the late 70's. I wish there would be one big change like that again, but I don't know if that'll ever happen.

Arnold and Jamie Lee must have worked over the years with directors that did 50 takes, because I'd get like three takes or so and say, Ok, that's it, we're done.

Nobody wanted to touch Decline III when they found out what it was about.

It is fun to try figure out the things that really are real and the things that aren't.

This generation has given up on growth. Theyre just hoping for survival.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

Bambi has a profound effect on children because it's about losing your mother.

I love children and I love men, but I can't commit to either for the rest of my life.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

Public opinion polls are rather like children in a garden, digging things up all the time to see how they're growing.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

We have three cats. It's like having children, but there is no tuition involved.

Instead of needing lots of children, we need high-quality children.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

Fiction came quite a while later. I began with short stories and fiction for children.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

I believe very firmly that gay people of every stripe and age should be role models for all children, and that means interacting with them.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

When you are getting ready to become a mom, being in love with someone just isn't enough. You need to think about whether he would be a good parent and raise your children with similar beliefs.

The real question isn't whether you love your kids or not, but how well you are able to demonstrate your love and caring so that your children really feel loved.