To get where you want to go you can't only do what you like.

You can't walk alone. Many have given the illusion, but none have really walked alone. Man is not made that way. Each man is bedded in his people, their history, their culture, and their values.

To get where you want to go you can't only do what you like.

Many have changed so much that they have lost the magic of the dream that carried them on their own bootstraps.

With Shakespeare and poetry, a new world was born. New dreams, new desires, a self consciousness was born. I desired to know to know myself in terms of the new standards set by these books.

Joseph and his mother come from the black kings who were before the white man.

A man can submit today in order to resist tomorrow. My submission had been such. And because I had not been free to show my real feeling, to voice my true thoughts, my submission had bred bitterness and anger. And there were nearly ten million others who had submitted with equal anger and bitterness.

All my life had been dominated by a sign, often invisible but no less real for that, which said: 'Reserved for Europeans Only.'

Being born white in South Africa or anywhere in the empire and Commonwealth automatically conferred this special status. You had no problem finding a place to live, a job, trade union membership, access to social services. Being white, speaking English, you were accepted as English, entitled to all the rights of citizenship.

For me, personally, life in South Africa had come to an end. I had been lucky in some of the whites I had met. Meeting them had made a straight 'all-blacks-are-good, all-whites-are-bad' attitude impossible. But I had reached a point where the gestures of even my friends among the whites were suspect, so I had to go or be forever lost.

I attended school regularly for three years. I learned to read and write. 'Lamb's Tales' from Shakespeare was my favourite reading matter. I stole, by finding, Palgrave's 'Golden Treasury.' These two books, and the 'Everyman' edition of John Keats, were my proudest and dearest possessions, my greatest wealth.

I read every one of the books on the shelf marked American Negro Literature. I became a nationalist, a colour nationalist, through the writings of men and women who lived a world away from me.

In East, South and Central Africa, the minority manipulated the majority into believing the minority was the majority, that there were more whites in the world than blacks; instilled in the blacks a sense of inferiority, inadequacy, worthlessness.

In the Caribbean islands, especially in Jamaica, have I found a country similar to South Africa plus the racial freedom I had sought so long.

Most of the black women who lived in the lower end of Vrededorp came from the countryside and were there to be near their menfolk who worked in the mines. They spoke neither English nor Afrikaans.

Must simplicity and humanity go under in the interest of progress? What is the most important component of civilization - is it human or mechanical? Must thought processes become involved and insincere? Must the class-struggle warp those who are involved in it?

My mother was a member of the Cape Coloured community. 'Coloured' is the South African word for the half-caste community that was a by-product of the early contact between black and white.

My mother went to work in the homes of white folk, usually living in and looking after their children. The money was small.

Perhaps life had a meaning that transcended race and colour. If it had, I could not find it in South Africa.

Positive social awareness among the South African educated half-caste is zero. Teaching is a mechanical job. The best way of earning a living.

The London I entered was a great bustling metropolitan city at war, an imperial power fighting to hold on to that empire. And the teeming colonial subjects of that empire did not, on the whole, want England to lose that war, but they also did not want the empire to emerge unchanged from it. This, for very many of us, was the hard dilemma.

The familiar mood that awaits the sensitive young who are poor and dispossessed is a mood of sharp and painful inferiority, of violently angry tensions, of desperate and overwhelming longings.

The only places where I have found that simple human dignity, that respect for the other man, and the gracious feel of tolerance and humanity have not been either among the heroes of the class-struggle or the 'thinking men' but among my simple 'backward' people.

The racism of the Nazis threatened to make whatever we had experienced look like child's play. If they could be so brutal to the Jews, what would they do to the blacks? So large numbers of black young men and women rallied to the defence of the empire.

There is a qualitative difference between being a minority and being a majority. Majorities are stronger under psychological pressure because numbers count. But only if they are aware of it.

Tribal man is not an individual in the western sense. Psychologically and emotionally, he is the present living personification of a number of forces, among the most important of which are the ancestral dead.

We do not ask the right questions when we are young, so we miss the important answers. Now it is too late to ask, too late for the illuminating answers, and the unanswered questions haunt us for a lifetime.

I want to feel good, I want to feel proud, I want to feel that I give someone enough and that I get enough.

You should never feel comfortable. There is something wrong if you are. You should always feel under threat, on the edge of your seat and pushing yourself. Win one and you want to win more. It's never-ending.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

Get me inside any boardroom and I'll get any decision I want.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

If I had to come up with something that just came to me, I think growing up in a small town, I want knowledge. I still think today, knowledge is one of the keys.

I want to thank all the fans for their support over the years. Keep supporting the Knicks, we're moving in the right direction here and we will be exciting to watch and competing against the best in the NBA. Come back to the Garden for those exciting games.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

I want to spend more time with those kids. I want to dedicate my time to train those kids and teach them what it takes, what they need to do to get to this level.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

At one point in your life, you'll have the thing you want or the reasons why you don't.

It is the privilege of the gods to want nothing, and of godlike men to want little.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

I try to teach my heart not to want things it can't have.

Once you drink one glass, you want another.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

I don't want any more vicissitudes, I don't want any more of this try, try again stuff. I just want out. I've had it. I am so tired. I am twenty and I am already exhausted.

Women don't like advice. They don't want you to fix their problems, they just want you to listen.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.