It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity.

The green-light meeting, when I first started at Paramount, would consist of maybe three or four of us in a room. Perhaps two or three of us would have read the script under discussion.

Though gay lifestyles have certainly moved into the open, there's little evidence that society has become more open in its basic attitudes or that entertainers should feel cozy in emerging from the velvet underground.

It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity.

The major media companies are significantly reducing their financial commitment to the motion picture sector.

It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity.

Study the public behavior of top stars and you can detect a keen attentiveness to brand value.

The green-light decision process today consists of maybe of 30 or 40 people.

Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04.

Historically, filmmakers always fall in love with every frame, but now that even neophytes are given final cut, this love affair carries with it serious economic implications.

Most movie-goers are overdosing on star coverage; it's the ultimate example of too much information.

Michael Eisner let it be known last week that he had no intention of leaving the entertainment business once he steps down as CEO of Disney in October.

One of Brando's problems is that he can't have a conversation with anyone.

We're going to see a very, very commercial kind of picture-making.

The biggest danger of Hollywood becoming a purely corporate town resides in the creative process.

A green-light meeting is when the decision is made finally whether or not to make a given picture.

The model today is that as much as 70 percent of the financing of the picture would come from overseas. Now we're beginning to run out of suckers, because there are not that many people overseas who are willing to put up more than half the money for a movie.

That's how you get surprises, because what movies are all about is surprises.

Substantially fewer films will be produced over the next year or two. And a significant portion of the production costs of the reduced slate will be borne by hedge funds and other investment groups.

I wasn't hanging around the movie theaters in New York where I grew up, a Manhattan brat.

Hollywood is going to have to find a way of meeting those profit goals.

Do your homework and stand your ground.

Scientific corporations might well become almost independent states and be enabled to undertake their largest experiments without consulting the outside world - a world which would be less and less able to judge what the experiments were about.

And also, more and more businesses really want to do the right thing. They feel better about themselves, their workers feel better, and so do their customers. I think this is equally true in the transnational corporations, but it is harder to express in those situations.

But I believe in fair trade, and I will tell you, I have many, many friends heading up corporations, and people that do just business in China, they say it's virtually impossible. It's very, very hard to come into China. And yet, we welcome them with open arms.

The corporations don't have to lobby the government anymore. They are the government.

Most of the services staff is for the larger corporations, not so much for small and medium businesses because they cannot afford an extensive services army.

Large corporations and unions know the power of being big enough to bargain for better rates.

Who gets the risks? The risks are given to the consumer, the unsuspecting consumer and the poor work force. And who gets the benefits? The benefits are only for the corporations, for the money makers.

The corporations and the media don't need power; they already have it.

Basically, what Economic Hit Men are trained to do is to build up the American empire. To create situations where as many resources as possible flow into this country, to our corporations, and our government, and in fact we've been very successful.

It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity.

People like me have to have the discipline only to work for clients, corporations, political people, products, services, networks that we believe in and we want to see succeed.

The great corporations of this country were not founded by ordinary people. They were founded by people with extraordinary intelligence, ambition, and aggressiveness.

Corporations are social organizations, the theater in which men and women realize or fail to realize purposeful and productive lives.

Of the five House Calendars, the Private Calendar is the one to which all Private Bills are referred. Private Bills deal with specific individuals, corporations, institutions, and so forth, as distinguished from public bills which deal with classes only.

The financial capital is being concentrated by corporations, institutional investors, and even our pension funds, and being reinvested in companies that repeat this process because it provides the highest return on that financial capital.

Groups are corporations now. They have pension plans. Musicians have saw the daylight.

TV that people will never see, that giant international corporations will never touch, will never pay your salary.

Now you have people in Washington who have no interest in the country at all. They're interested in their companies, their corporations grabbing Caspian oil.

This (George W. Bush's) administration is not sympathetic to corporations, it is indentured to corporations.

To survive, men and business and corporations must serve.

I am on the board of corporations who contribute both to environmental problems and their solutions. And I am on the NGO side: the Earth Council and other organizations.

Punk is not dead. Punk will only die when corporations can exploit and mass produce it.

Corporations cannot commit treason, nor be outlawed, nor excommunicated, for they have no souls.

It's an incredible con job when you think about it, to believe something now in exchange for something after death. Even corporations with their reward systems don't try to make it posthumous.

I was endorsed by many corporations to work with their people. Since I had several hundred successful case histories, I realized that it was really valuable and everybody should have access to the information, so I started teaching seminars to groups of people.

Even President Bush has cited the need to outlaw the practice of corporations making loans to their officers. Strangely enough, when the President was a corporate officer, he took out several loans from the company.

And that's why I wrote the book, because our country really needs to understand, if people in this nation understood what our foreign policy is really about, what foreign aid is about, how our corporations work, where our tax money goes, I know we will demand change.