The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.

I like poems that are complex.

The problem, for me, with the writing programs is that they produce a terrible uniformity of product.

If I were brave enough to say so, I'd like to think that I had written some poems that people are not going to forget.

I just think that some version of the past in our culture is going to rise up and become dominant.

My friends never talk to me about my poetry because they're embarrassed that I write it or they're embarrassed by what I write about which are not such extraordinarily terrifying things, but they are the state of human existence.

And there are a lot more people reading poetry, but there are not so many people reading an individual poet.

For instance, it's a little better now than it was two or three years ago, but something like 70% of the poems I receive seem to be written in the present indicative.

The more poetry you have in the head, the more poetry you will understand because you will be getting to the roots of what it is that makes people write poetry at all.

In my youth, I found that I was quite often inspired and pushed forward by what I read.

There are so many things that poetry is about, one of which is memory.

Frost is the most sophisticated of poets.

But poetry is my life. Poetry is what matters to me.

Poetry should be able to reach everybody, and it should be able to appeal to all levels of understanding.

In order to understand what they need to understand, in order to write what they write, they have to be free. And yet, they aren't ever free. They are not free because they are not free of the constrictions their art puts on them.

I think poetry has lost an awful lot of its muscle because nobody knows any. Nobody has to memorize poetry.

People are talking about the Internet as though it is going to change the world. It's not going to change the world. It's not going to change the way we think, and it's not going to change the way we feel.

The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.

It is a way we reassess our past. We can do that in poetry in ways we can't do in prose.

The trouble with the performance poets is that they don't seem to have read anything. So there is not a real sense of the poetic tradition in their work.

It is very difficult for people to come in contact with their own emotions and their own sensibilities.

If poets were realistic, they wouldn't be poets.

I like poems that are little games.

Poetry is composing for the breath.

But there is some way in which poets believe that and this is dangerous, too believe that their calling gives them a certain freedom. A certain freedom to live in a free way.

Every so often I find some poems that are too good for the readers of The Atlantic because they are a little too involved with the nature of poetry, as such.

They need to learn poetry. They don't need to learn about poetry. They don't need to be told how to interpret poetry. They don't need to be told how to understand poetry. They need to learn it.

But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.

The reason one writes poems is so that your poem will be remembered.

Dealing with poetry is a daunting task, simply because the reason one does it as an editor at all is because one is constantly coming to terms with one's own understanding of how to understand the world.

Poetry was invented as an mnemonic device to enable people to remember their prayers.

I would like to be proud of having written some poems that will be remembered, but I will never know whether I will have any reason to be proud of that.

Love is seeing without eyes, hearing without ears; hatred is nothing.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

You're going to be hearing a lot about one scrappy president.

I was always hearing that I was pale and thin and small.

We suspect Dr. Clutterbuck's sense of hearing must be injured: for him the 'ear trumpet' magnifies but distorts sound, rendering it less distinct than before.

Liberals claim to want to give a hearing to other views, but then are shocked and offended to discover that there are other views.

One of my sensory problems was hearing sensitivity, where certain loud noises, such as a school bell, hurt my ears. It sounded like a dentist drill going through my ears.

Sober up, and you see and hear everything you'd been able to avoid hearing before.

I answer a fan with a hearing heart first.

Asked at the hearing why she hadn't pressed the FBI more closely about what it knew, or didn't know, about domestic terrorist threats, Rice acted as though the question was an odd one: it wasn't her job. Well, in retrospect, it was and now certainly is.

Information comes through to me in 3 basic ways seen, hearing, and feeling the energy of the person that's crossed over. In which it is a symbolic type of language.

I'm tired of hearing it said that democracy doesn't work. Of course it doesn't work. We are supposed to work it.

I dare say that a majority of the American people think that having a fair hearing on an issue of importance in our relations with Mexico is extremely important to our national interest, as well as theirs.

Hearing, which, by the motion of the air, informs us of the motion of sounding or vibrating bodies.

I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.

It's all a matter of hearing what I like and seeing if I can make it fit into my style.

And when I've been away from my family and friends, I have felt good hearing some of those old songs.