I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.

I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.

Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.

It's an extraordinary thing about Mozart is that you never tire of him... he never bores me, and he doesn't... not only bore me, that's too strong a word.

I was born in Liverpool in England, and I lived there for the first nine years of my life.

Passion, you see, can be destroyed by a doctor. It cannot be created.

We... our war began September the 3rd 1939, with the invasion of Poland by Germany, and thereafter the great state of danger in England at that time, with the bombings, necessitated the evacuation of children.

Librarians as a race tend to be tedious.

I think people nowadays do tend to blame their parents for everything.

It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.

They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all.

But the first published thing I did was a detective story, detective novel, and I did that on my own.

You can't always let people do their own thing.

Rehearsing a play is making the word flesh. Publishing a play is reversing the process.

I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.

If London is a watercolor, New York is an oil painting.

And in fact, I think one of the best guides to telling you who you are, and I think children use it all the time for this purpose, is fantasy.

I made, over the years in Cambridge, several very good American friends, and America appeared to me, a land of promise in every sense of that word, a land of freedom from the inhibitions and restrictions that I felt in England.

I think I did have fantasies about being an actor. In fact, I know I did.

You never quite know what's going to strike your imagination, or something that won't going to leave you alone, not going to leave alone, and this was one for me.

Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.

Everything we feel is made of Time. All the beauties of life are shaped by it.

I think possibly the first film that has music as its leading character.

My actual childhood, as opposed to my adolescence, was not spent in London.

Watching Italian opera, all those male sopranos screeching, stupid fat couples rolling their eyes about. That's not love, it's just rubbish.

I was an accomplice in my own frustration.

Art and literature are my surrogate religions.

I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'

In London, 'Equus' caused a sensation because it displayed cruelty to horses; in New York, because it allegedly displayed cruelty to psychiatrists.

Our function as playwrights to some extent is to make audiences see with their ears, because films make us see with our eyes much better.

The conquistadors and their followers were very rough people, and they were fixated on gold and silver. They were oblivious to the astonishing achievements of the Inca civilisation.

The rhetoric is the key to the character. It's the verbal music of the piece.

Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.

The trouble is if you don't spend your life yourself, other people spend it for you.

I distinguish, between nationalism and patriotism.

After 40, you want to reverse the ageing process. That's complicated for me because I spent so many years wanting to be older.

Ancient Egyptians went to great lengths to avoid change they couldnt entirely do so of course but did preserve a cultural continuity for almost four thousand years.

The Internet has made some phenomenal breakthroughs that are still only poorly understood in terms of changing people's ideas of us and them. If mass media, social isolation in the suburbs, alienating workplaces and long car commutes create a bunker mentality, the Internet does the opposite.

I might look successful and happy being in front of you today, but I once suffered from severe depression and was in total despair.

There weren't a lot of action roles growing up - there were a few, maybe, like Wonder Woman, but then it wasn't real action.

Imagine settling for a life you can have because you don't have the courage to go after the life you really want.

I would say that Bob Dylan is as interested in money as any person I've known in my life. That's just the truth.

I feel like I am a lot of who I am because I watched these shows that said it was okay to be a total weirdo. Shows like 'Pete and Pete,' 'Hey, Dude,' 'Salute Your Shorts' - that's what I grew up with.

I like to see people doubt me.

I've always had trouble with male authority figures because my father was such a martinet.

I know well what I am fleeing from but not what I am in search of.

The bulk of the universities are about teaching kids.

Why go for a costly, sickly, mass-produced purebred when shelters are full of one-of-a-kind mixed breeds who are literally dying for a home?

All change means disorganization of the old and organization of the new.