It's an extraordinary thing about Mozart is that you never tire of him... he never bores me, and he doesn't... not only bore me, that's too strong a word.

I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.

Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.

It's an extraordinary thing about Mozart is that you never tire of him... he never bores me, and he doesn't... not only bore me, that's too strong a word.

I was born in Liverpool in England, and I lived there for the first nine years of my life.

Passion, you see, can be destroyed by a doctor. It cannot be created.

We... our war began September the 3rd 1939, with the invasion of Poland by Germany, and thereafter the great state of danger in England at that time, with the bombings, necessitated the evacuation of children.

Librarians as a race tend to be tedious.

I think people nowadays do tend to blame their parents for everything.

It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.

They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all.

But the first published thing I did was a detective story, detective novel, and I did that on my own.

You can't always let people do their own thing.

Rehearsing a play is making the word flesh. Publishing a play is reversing the process.

I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.

If London is a watercolor, New York is an oil painting.

And in fact, I think one of the best guides to telling you who you are, and I think children use it all the time for this purpose, is fantasy.

I made, over the years in Cambridge, several very good American friends, and America appeared to me, a land of promise in every sense of that word, a land of freedom from the inhibitions and restrictions that I felt in England.

I think I did have fantasies about being an actor. In fact, I know I did.

You never quite know what's going to strike your imagination, or something that won't going to leave you alone, not going to leave alone, and this was one for me.

Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.

Everything we feel is made of Time. All the beauties of life are shaped by it.

I think possibly the first film that has music as its leading character.

My actual childhood, as opposed to my adolescence, was not spent in London.

Watching Italian opera, all those male sopranos screeching, stupid fat couples rolling their eyes about. That's not love, it's just rubbish.

I was an accomplice in my own frustration.

Art and literature are my surrogate religions.

I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'

In London, 'Equus' caused a sensation because it displayed cruelty to horses; in New York, because it allegedly displayed cruelty to psychiatrists.

Our function as playwrights to some extent is to make audiences see with their ears, because films make us see with our eyes much better.

The conquistadors and their followers were very rough people, and they were fixated on gold and silver. They were oblivious to the astonishing achievements of the Inca civilisation.

The rhetoric is the key to the character. It's the verbal music of the piece.

Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.

The trouble is if you don't spend your life yourself, other people spend it for you.

I never understood a word John Cassavetes said. And I think he did that deliberately.

In common use almost every word has many shades of meaning, and therefore needs to be interpreted by the context.

I don't know of many evangelicals who want to deny gay couples their legal rights. However, most of us don't want to call it marriage, because we think that word has religious connotations, and we're not ready to see it used in ways that offend us.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

It seems inevitable that the magic of the written word will fade.

The closer the look one takes at a word, the greater distance from which it looks back.

In a word, if any kind of slavery can be vindicated by the Holy Scriptures, we are already sure our making and holding the Negroes our slaves, as we do, cannot be vindicated by any thing we can find there, but is condemned by the whole of divine revelation.

It is a common temptation of Satan to make us give up the reading of the Word and prayer when our enjoyment is gone; as if it were of no use to read the Scriptures when we do not enjoy them, and as if it were no use to pray when we have no spirit of prayer.

I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.

But the way people commonly use the word nowadays it means something all of whose parts are mutually interdependent - not only for their mutual action, but for their meaning and for their existence.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

These things don't just come, arrive and settle like a bird picking up a few bits of crumbs. They develop. I think the best word for these things is develop. They develop because of the human beings who just happen to be there at the time.

The word 'romance,' according to the dictionary, means excitement, adventure, and something extremely real. Romance should last a lifetime.

The art which we may call generally art of the wayside, as opposed to that which is the business of men's lives, is, in the best sense of the word, Grotesque.