My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

There's nothing written in the Bible, Old or New testament, that says, "If you believe in Me, you ain't going to have no troubles."

Music is my life, professionally, for nearly 60 years. To be recognized by the academy is still the highest honor.

My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.

Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap.

Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine.

I don't know what would have happened to me if I hadn't been able to hear.

I never wanted to be famous. I only wanted to be great.

I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.

What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room.

The fact of the matter is, you don't give up what's natural. Anything I've fantasized about, I've done.

My version of "Georgia" became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.

Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.

There are many spokes on the wheel of life. First, we're here to explore new possibilities.

Learning to read music in Braille and play by ear helped me develop a damn good memory.

I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.

I don't know about other writers, but for myself, to write I must be relatively quiet - it's very difficult to write with the telephone and the doorbell ringing and conversation going on; I'm not that good a writer to write through all that!

I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me - like food or water.

I'm a firm believer in God himself, but that's as far as I can go. I'm not any denomination. I'm not Catholic or Presbyterian or Baptist or Methodist or Jewish or Muslim. I'm none of those things. And I'm sure that's just fine with God.

I've always been the kind of person who, if there's anything that can kill me, I want to know something about it.

Mama was a country woman with a whole lot of common sense. She understood what most of our neighbors didn't - that I shouldn't grow dependent on anyone except myself. 'One of these days, I ain't gonna be here,' she kept hammering inside my head.

Music is powerful. As people listen to it, they can be affected. They respond.

My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.

People couldn't understand why my mama would have this blind kid out doing things like cutting wood for the fire. But her thing was: He may be blind, but he ain't stupid.

There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'

To me, music is entertainment - what else can it be? In fact, it's the only language I know of that's universal.

With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, 'Oh, that must have happened to him,' that's when you know you're transmitting. It's like being a good actor. You make people feel things, emotions and what not.

Dreams, if they're any good, are always a little bit crazy.

Music is to me like breathing. I don't get tired of breathing, I don't get tire of music!

Music to me is like breathing. I don't get tired of breathing, I don't get tired of music.

Music is about the only thing left that people don't fight over.

A sister is a little bit of childhood that can never be lost.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

All our pursuits, from childhood to manhood, are only trifles of different sorts and sizes, proportioned to our years and views.

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

Well I was an asthmatic child. So that for most of my childhood I was in bed. Bedridden.

Happy, happy Christmas, that can win us back to the delusions of our childhood days, recall to the old man the pleasures of his youth, and transport the traveler back to his own fireside and quiet home!

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

If a nation loses its storytellers, it loses its childhood.

I had a kind of Dickensian childhood.