In the end, my reasons for moving down the timeline and introducing a new cast have more to do with keeping myself entertained, on the assumption that if I get bored, my readers are going to be even more bored.

There were two things going on: 1) I had already established in my own mind where I wanted to go with the next series, and having James around as a Grey Eminence would have complicated matters. He had had an amazing life and it was time to bid him good-bye.

Often I'll try things that just won't happen the way I'd like them to, so hearing that they're not working saves me some wear and tear the next time around.

You can only have one first born child. You may love all your children deeply and with passion, but there is something unique about the first born.

In the end, my reasons for moving down the timeline and introducing a new cast have more to do with keeping myself entertained, on the assumption that if I get bored, my readers are going to be even more bored.

The issue of the Betrayal was so central to that, I felt the need to comment upon it. My choices were to ignore the games and put them "outside" of continuity or to integrate them. I chose the latter.

One likes to think one grows as a writer as one ages, else all you get is an "old" young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.

There's always going to be comparisons, and that's unavoidable. There are people out there who feel I hit my peak with Magician and have gone downhill since.

One of the key issues will be personal honour vs. the good of the many, and unforeseen consequences.

Neal had a couple of good ideas and they fit nicely, so that's the way I decided to go.

Also, it's risky to try to duplicate earlier success. Magician had a certain charm to it, mostly due to my choice of lead characters, that I would be hard put to duplicate.

Jigsaw Lady is the working title of a science fiction novel I've had in my head for darn near 15 years. I think I'll start work on it next year (in all my spare time) but I'd like to get it finished some day.

I'm a huge fan of Cabernet and Bordeaux, and am passionate about Pinot Noir and Burgundies.

If I leave my computer, I'm probably not going to get back for hours. If I take a few minutes to answer questions and go web surfing, then guilt kicks in and I get back to work.

Writing is hard work; it's also the best job I've ever had.

As a kid, I sat transfixed watching Ray Harryhausen's '7th Voyage of Sinbad.'

Either systems are in balance or they are falling apart. If people are acting in what appears to be a twisted way, I want to know the reason for that.

I don't like fantasy where a king snaps his fingers and suddenly a whole army appears and goes off to war - he's got to feed them, he's got to pay them, he's got to take care of the camp followers and the gamblers and the people who cause disorder.

I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.

I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.

I won't say that writing is therapy, but for me, the act of writing is therapy. The ability to be productive is good for my mental health. It's always better for me to be writing than vegetating on some couch.

I've never worried about 'the reader' because there isn't one. There are thousands, and they all have strong opinions, from 'Magician' was the best ever,' and I've gone downhill since to 'The new book is the best ever,' so to whom to I listen? So I write for myself and hope other people like it.

Mostly I'm writing about people, so I feel constrained to take with me my view of people, my curiosity about how people choose the things they do and why they come to certain decisions in a certain fashion and all the things that drive most writers.

One likes to think one grows as a writer as one ages, else all you get is an 'old' young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.

People like rules, or at least the appearance of rules, even in fantasy.

Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.

The issue of the Betrayal was so central to that, I felt the need to comment upon it. My choices were to ignore the games and put them 'outside' of continuity or to integrate them. I chose the latter.

When you talk about fantasy, the usual problem is that whilst you've got the world of imagination, there are no controlling forces.

Writing is not a competitive sport. Everyone that writes has his or her own voice.

Altruism accrues little benefit to those lying cold in the gutter.

There is no idea so brilliant or original that a sufficiently untalented writer cant screw it up.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

Every new beginning comes from some other beginning's end.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

Philosophy begins in wonder. And, at the end, when philosophic thought has done its best, the wonder remains.