Neal had a couple of good ideas and they fit nicely, so that's the way I decided to go.

There were two things going on: 1) I had already established in my own mind where I wanted to go with the next series, and having James around as a Grey Eminence would have complicated matters. He had had an amazing life and it was time to bid him good-bye.

Often I'll try things that just won't happen the way I'd like them to, so hearing that they're not working saves me some wear and tear the next time around.

You can only have one first born child. You may love all your children deeply and with passion, but there is something unique about the first born.

In the end, my reasons for moving down the timeline and introducing a new cast have more to do with keeping myself entertained, on the assumption that if I get bored, my readers are going to be even more bored.

The issue of the Betrayal was so central to that, I felt the need to comment upon it. My choices were to ignore the games and put them "outside" of continuity or to integrate them. I chose the latter.

One likes to think one grows as a writer as one ages, else all you get is an "old" young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.

There's always going to be comparisons, and that's unavoidable. There are people out there who feel I hit my peak with Magician and have gone downhill since.

One of the key issues will be personal honour vs. the good of the many, and unforeseen consequences.

Neal had a couple of good ideas and they fit nicely, so that's the way I decided to go.

Also, it's risky to try to duplicate earlier success. Magician had a certain charm to it, mostly due to my choice of lead characters, that I would be hard put to duplicate.

Jigsaw Lady is the working title of a science fiction novel I've had in my head for darn near 15 years. I think I'll start work on it next year (in all my spare time) but I'd like to get it finished some day.

I'm a huge fan of Cabernet and Bordeaux, and am passionate about Pinot Noir and Burgundies.

If I leave my computer, I'm probably not going to get back for hours. If I take a few minutes to answer questions and go web surfing, then guilt kicks in and I get back to work.

Writing is hard work; it's also the best job I've ever had.

As a kid, I sat transfixed watching Ray Harryhausen's '7th Voyage of Sinbad.'

Either systems are in balance or they are falling apart. If people are acting in what appears to be a twisted way, I want to know the reason for that.

I don't like fantasy where a king snaps his fingers and suddenly a whole army appears and goes off to war - he's got to feed them, he's got to pay them, he's got to take care of the camp followers and the gamblers and the people who cause disorder.

I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.

I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.

I won't say that writing is therapy, but for me, the act of writing is therapy. The ability to be productive is good for my mental health. It's always better for me to be writing than vegetating on some couch.

I've never worried about 'the reader' because there isn't one. There are thousands, and they all have strong opinions, from 'Magician' was the best ever,' and I've gone downhill since to 'The new book is the best ever,' so to whom to I listen? So I write for myself and hope other people like it.

Mostly I'm writing about people, so I feel constrained to take with me my view of people, my curiosity about how people choose the things they do and why they come to certain decisions in a certain fashion and all the things that drive most writers.

One likes to think one grows as a writer as one ages, else all you get is an 'old' young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.

People like rules, or at least the appearance of rules, even in fantasy.

Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.

The issue of the Betrayal was so central to that, I felt the need to comment upon it. My choices were to ignore the games and put them 'outside' of continuity or to integrate them. I chose the latter.

When you talk about fantasy, the usual problem is that whilst you've got the world of imagination, there are no controlling forces.

Writing is not a competitive sport. Everyone that writes has his or her own voice.

Altruism accrues little benefit to those lying cold in the gutter.

There is no idea so brilliant or original that a sufficiently untalented writer cant screw it up.

The multiplicity of ideas is what I'm interested in.

Ideas are easy. It's the execution of ideas that really separates the sheep from the goats.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

Many ideas grow better when transplanted into another mind than in the one where they sprung up.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

Simple ideas lie within the reach only of complex minds.

While a lab Director can get done the things that he regards as important, he has the more important job of bringing out the best ideas of the broader scientific community.

I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.

The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.

I do not 'get' ideas; ideas get me.

The new generation of Labour is different. Different attitudes, different ideas, different ways of doing politics.

Another principle is, the deepest affections of our hearts gather around some human form in which are incarnated the living thoughts and ideas of the passing age.

Facts, according to my ideas, are merely the elements of truths, and not the truths themselves; of all matters there are none so utterly useless by themselves as your mere matters of fact.

But in a broader sense, when I have more control, I want to expose people to new ideas.

We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas.

It is important to nurture any new ideas and initiatives which can make a difference for Africa.

Ideas pull the trigger, but instinct loads the gun.