It was just the thrill of a lifetime. Brando and Hackman were two of my heroes.

It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?

Soon it's all going to be digital anyway. It's all going to be saved on a little coin somewhere.

It was the beginning of film for television. So we had all of these great opportunities. Northwestern was probably the only major film school of its kind at the time that was graduating anybody important.

People say, You paid your dues, but I never paid any dues. It's always been a great trip.

With The Omen, I really felt I wasn't in control. It was panic.

I was painting sets, working in editorial as an assistant, driving their trucks, lying that I knew how to drive a truck, and doing commercials and documentaries.

It was just the thrill of a lifetime. Brando and Hackman were two of my heroes.

When you make a film, you like to run it with an audience. They tell you you're narrow-minded or subjective, or that seems too long, or that doesn't work.

It's developing a relationship with actors that makes it work.

Some actors just won't bend, and then it's a bitch. You either fight or find ways of putting your words in their mouth and letting them say it back at you.

I was very lucky. I started my own commercial company.

I realized what you could do in motion pictures by surrounding yourself with geniuses.

I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.

When I was doing half-hour shows, I loved it and was preparing myself for the hour shows. Then when I did the hour shows, I was preparing myself for the specials and features.

In motion pictures, the actor rules. The camera served the actor.

I've always wanted to do a Crichton book. I really love his writing.

It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking.

I was tweaked by the idea of Superman immediately.

Working with Christopher, he convinced me he could fly, and he's convinced me he's going to walk again.

That's how you get a performance - they put trust in you.

Superman was never previewed because the producers didn't trust Warners with the film.

If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world.

I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective.

How was I going to make a man fly? How was I going to convince the public that an actor could fly?

I was an actor... or, at least, I was trying to be an actor.

When when my first feature opportunity came along, I wasn't prepared, but we did it in about 17 days.

First cuts are a bitch for a director, because it's been so many months and you put your trust in your editor and you're going to see your film assembled for the first time. You look at it and go, This is terrible. I hate it.

I had life threats, because people accused me of approaching Brando as God and his son was Jesus. I literally had people saying my blood would run in the streets for doing that.

I think what some people are doing with effects is starting to get silly. It's overused.

Athletes as role models and heroes is a hoax, a sick hoax. The men and women who are fighting in Iraq, they are the true heroes.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

You should never meet your heroes. Paul Newman... I was so excited about meeting him, but he turned up in shell suit bottoms, slippers, and a jumper. He was just so worn out and old, he wanted to go home.

We relish news of our heroes, forgetting that we are extraordinary to somebody too.

We can't all be heroes, because somebody has to sit on the curb and applaud when they go by.

In every age poets and social reformers have tried to stimulate the people of their own time to a nobler life by enchanting stories of the virtues of the heroes of old.

Last week, the House of Representatives passed a resolution honoring the victims and heroes of September 11th. As we commemorate the anniversary of 9-11, we must also remember that the threat is still very real today.

I'm quite influenced in this by one of my heroes, Montaigne, who thought a man's real task was to render as honest an account of himself as he could.

A zeal for the defence of their country led these heroes to the scene of action, though with a few men to attack a powerful army of experienced warriors.

I got to work with one of my heroes, Johnny Depp, and to see how he goes about business, which was really inspiring for me at this stage in my career.

Heroes always make the right decision; I find that seldom happens in my life.

I've spent several years in Hollywood, and I still think the movie heroes are in the audience.

Resistance is feasible even for those who are not heroes by nature, and it is an obligation, I believe, for those who fear the consequences and detest the reality of the attempt to impose American hegemony.

Old myths, old gods, old heroes have never died. They are only sleeping at the bottom of our mind, waiting for our call. We have need for them. They represent the wisdom of our race.

I liked the Beatles because there was so much melody. Jimi Hendrix is still one of my heroes.

Heroes, whatever high ideas we may have of them, are mortal and not divine. We are all as God made us and many of us much worse.

My heroes are and were my parents. I can't see having anyone else as my heroes.

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

We remember the heroes who ran into the burning buildings to rescue those trapped inside, and the dauntless passengers on Flight 93 who laid down their lives to save others, including almost certainly those of us in the U.S. Capitol.