Working with Christopher, he convinced me he could fly, and he's convinced me he's going to walk again.

It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?

Soon it's all going to be digital anyway. It's all going to be saved on a little coin somewhere.

It was the beginning of film for television. So we had all of these great opportunities. Northwestern was probably the only major film school of its kind at the time that was graduating anybody important.

People say, You paid your dues, but I never paid any dues. It's always been a great trip.

With The Omen, I really felt I wasn't in control. It was panic.

I was painting sets, working in editorial as an assistant, driving their trucks, lying that I knew how to drive a truck, and doing commercials and documentaries.

It was just the thrill of a lifetime. Brando and Hackman were two of my heroes.

When you make a film, you like to run it with an audience. They tell you you're narrow-minded or subjective, or that seems too long, or that doesn't work.

It's developing a relationship with actors that makes it work.

Some actors just won't bend, and then it's a bitch. You either fight or find ways of putting your words in their mouth and letting them say it back at you.

I was very lucky. I started my own commercial company.

I realized what you could do in motion pictures by surrounding yourself with geniuses.

I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.

When I was doing half-hour shows, I loved it and was preparing myself for the hour shows. Then when I did the hour shows, I was preparing myself for the specials and features.

In motion pictures, the actor rules. The camera served the actor.

I've always wanted to do a Crichton book. I really love his writing.

It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking.

I was tweaked by the idea of Superman immediately.

Working with Christopher, he convinced me he could fly, and he's convinced me he's going to walk again.

That's how you get a performance - they put trust in you.

Superman was never previewed because the producers didn't trust Warners with the film.

If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world.

I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective.

How was I going to make a man fly? How was I going to convince the public that an actor could fly?

I was an actor... or, at least, I was trying to be an actor.

When when my first feature opportunity came along, I wasn't prepared, but we did it in about 17 days.

First cuts are a bitch for a director, because it's been so many months and you put your trust in your editor and you're going to see your film assembled for the first time. You look at it and go, This is terrible. I hate it.

I had life threats, because people accused me of approaching Brando as God and his son was Jesus. I literally had people saying my blood would run in the streets for doing that.

I think what some people are doing with effects is starting to get silly. It's overused.

More and more, it feels like I'm doing a really bad impersonation of myself.

Venus favors the bold.

When we put down ideas of what life should be like we are free to wholeheartedly say yes to our life as it is.

Having something forbidden is exciting dont you agree

I have always liked shows that have laughter in them.

Comedy is really not like any other art form in that its very specialized and varied in its content but generic in its title.

London's not a white city. So why should our catwalks be so white?

I am not a hound; I am an attention-seeker. Very different animal. My kind of attention requires greater finesse.

Statistics are no substitute for judgment.

There will always be places in the world where good schools don't exist and good teachers don't want to go, not just in the developing world but in places of socioeconomic hardship.

I don't mind talking about my two daughters, but I don't feel comfortable denying them their privacy.

I love ghost stories, and I also have a great fondness and love for 'Quatermass,' which in many ways is the show that preceded 'Doctor Who.' 'Doctor Who' borrowed quite a bit from 'Quatermass' and probably wouldn't have existed in anything like the form we recognise today if 'Quatermass' hadn't come before it.

My mom has a tape from when I was, like, 2 years old, talking with my grandma, telling her a story that's really elaborate about werewolves and wolves.

Africa is the continent that the rest of the world prefers not to think about.

My most successful books, the ones that I feel the strongest about, are the ones that started with a premise that for me was deeply emotional.

I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.

True monsters are not those lurking under the bed, but the ones sleeping in it.

My parents don't have any showbusiness links. They are so far away from it.

I wanted to quit the industry when I was eighteen and finish '70s', finish my contract on the show and go to college because I was pretty convinced that after '70s' and after being on a show for eight years that I would be very much pigeonholed for something specific that I didn't want to be a part of anymore.