I've never been a guy who had more than a toe in Hollywood anyway, so my toe is more easily lopped off than most.

No one is asking what happened to all the homeless. No one cares, because it's easier to get on the subway and not be accosted.

I've always been most interested in the politics of everyday life: your relation to whatever you're doing, or what your ambitions are, where you live, where you find yourself in the social hierarchy.

Well, you have to keep your faith in the fact that there are a lot of intelligent people who are actively looking for something interesting, people who have been disappointed so many times.

I did The Newton Boys and during the whole process of making the film, I may have spent a week in Los Angeles.

I always sensed instinctively from the earliest age that I was being lied to.

Hollywood has a way of sucking the world's talent to it.

I do find myself at the moment, due to the success of School of Rock, to be on people's radar a little.

I've always liked the minds of criminals, they seem similar to artists.

I worked offshore as an oil worker for a couple of years.

I want to make a film about a factory worker.

I think there are more films being made, but there are probably less outlets for them and distributors.

I've never been a guy who had more than a toe in Hollywood anyway, so my toe is more easily lopped off than most.

The worst thing is that you used to be able to show interesting films on campuses. Those places are all gone.

It's luck that one thing works out and one doesn't, it's sort of happenstance.

I think I got really lucky with Slacker. That was a film that probably shouldn't have been seen.

I think you get in trouble if you make experimental big studio films.

Yes, but Hollywood is the strangest place in that they'll torpedo their own film to prove an emotional point.

Everyone is encouraged to see their lives, the world through the eyes of the rich.

Something about Texas I'm not proud of is that our state murdered 37 people last year alone.

Before Sunrise did very well internationally. It made as much in Italy and Korea as it did here.

Whatever story you want to tell, tell it at the right size.

I lost a year or two in there, trying to get films financed that I didn't know would never get financing.

It's disappointing to see films become pure entertainment, so that it's not an art form.

The truth will only be told over a career.

Filmmakers are going to make films, just like painters are going to paint.

At some point youre no longer growing up youre aging. But no one can pinpoint that moment exactly.

Filmmakers are going to make films just like painters are going to paint.

As you get older, you want less from the world; you just want to experience it. Any barriers to feeling emotions get dismantled. And ordinary things become beautifully poetic.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.

What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.