I've always liked the minds of criminals, they seem similar to artists.

No one is asking what happened to all the homeless. No one cares, because it's easier to get on the subway and not be accosted.

I've always been most interested in the politics of everyday life: your relation to whatever you're doing, or what your ambitions are, where you live, where you find yourself in the social hierarchy.

Well, you have to keep your faith in the fact that there are a lot of intelligent people who are actively looking for something interesting, people who have been disappointed so many times.

I did The Newton Boys and during the whole process of making the film, I may have spent a week in Los Angeles.

I always sensed instinctively from the earliest age that I was being lied to.

Hollywood has a way of sucking the world's talent to it.

I do find myself at the moment, due to the success of School of Rock, to be on people's radar a little.

I've always liked the minds of criminals, they seem similar to artists.

I worked offshore as an oil worker for a couple of years.

I want to make a film about a factory worker.

I think there are more films being made, but there are probably less outlets for them and distributors.

I've never been a guy who had more than a toe in Hollywood anyway, so my toe is more easily lopped off than most.

The worst thing is that you used to be able to show interesting films on campuses. Those places are all gone.

It's luck that one thing works out and one doesn't, it's sort of happenstance.

I think I got really lucky with Slacker. That was a film that probably shouldn't have been seen.

I think you get in trouble if you make experimental big studio films.

Yes, but Hollywood is the strangest place in that they'll torpedo their own film to prove an emotional point.

Everyone is encouraged to see their lives, the world through the eyes of the rich.

Something about Texas I'm not proud of is that our state murdered 37 people last year alone.

Before Sunrise did very well internationally. It made as much in Italy and Korea as it did here.

Whatever story you want to tell, tell it at the right size.

I lost a year or two in there, trying to get films financed that I didn't know would never get financing.

It's disappointing to see films become pure entertainment, so that it's not an art form.

The truth will only be told over a career.

Filmmakers are going to make films, just like painters are going to paint.

At some point youre no longer growing up youre aging. But no one can pinpoint that moment exactly.

Filmmakers are going to make films just like painters are going to paint.

As you get older, you want less from the world; you just want to experience it. Any barriers to feeling emotions get dismantled. And ordinary things become beautifully poetic.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.