When I die, I'll probably climb out of the coffin and play the organ at my own funeral!

I like Toronto a lot, it's a good city. The only thing that really annoys me about Toronto is that you're turning Maple Leaf Gardens into a grocery store, which is absolutely nothing short of disgusting.

Actually, I only left twice. I left then, and then rejoined literally two years later for Going For The One.

As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.

When I die, I'll probably climb out of the coffin and play the organ at my own funeral!

I always say that it's about breaking the rules. But the secret of breaking rules in a way that works is understanding what the rules are in the first place.

Coming back to Yes is like never having left. Even when I have not been in the band, I have always felt part of it.

Even the two times that I left, I never really felt like I left the band. It's very bizarre. It's like there's sort of an umbilical cord that stretches between us spiritually.

But I listen to live recordings of things that I did back in the '70s and then how I've done things since. And there's no doubt about it: if I compare the two, it's like chalk and cheese.

Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.

I was born in 1949 - which seems like a long time ago... Actually, it is a long time ago, when I think about it.

I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.

I've been married three times and divorced three times.

My faith is very private to me. It plays an important part in my life, but I do not try and throw my beliefs at others. I have tremendous respect for all faiths and beliefs, but have a deep concern that religion and faith are currently a long way apart from each other.

But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.

People like Frank Zappa were amazing for us Brits.

I'm always writing or playing because that is my life.

My life revolves around music and always will. I need to be a part of music and not an observer.

I avoid preset sounds wherever possible, and all the sounds I use I have edited.

I bought a racehorse, Tropical Saint, that belonged to the Queen Mother. I used to go down to Banbury and watch him train, but during a televised race, his jockey pulled up and said there was something wrong. They put him in the grass to try and settle him but found him dead in the field.

I had just left Yes and had done a concert at Crystal Palace, South London, with a choir and orchestra playing my solo album 'Journey To The Centre Of The Earth' when I had my heart attack. That day, I hadn't been to bed for four days. I don't remember much. I felt very numb during the day and airy, which is the best way to describe it.

I was in and out of Yes six times. Someone once likened it to Liz Taylor and Richard Burton's marriage where we couldn't live with or without each other. There's an element of truth, and I last left in 2005.

My dad died in 1980, and I found out afterwards from mum that my piano lessons, which cost £2 a week, took up nearly a third of his income.

Sparks is a sporting charity that puts on golf tournaments for sick children, and my animal charities include Oldham Cats and Feline Care, a big cat charity close to me in Norfolk. I'm also a Freemason and the money they raise for charity is phenomenal.

There's a fine line between angry and grumpy. Angry isn't nice, but grumpy is funny.

Theres a fine line between angry and grumpy. Angry isnt nice but grumpy is funny.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.