The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.

I like Toronto a lot, it's a good city. The only thing that really annoys me about Toronto is that you're turning Maple Leaf Gardens into a grocery store, which is absolutely nothing short of disgusting.

Actually, I only left twice. I left then, and then rejoined literally two years later for Going For The One.

As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.

When I die, I'll probably climb out of the coffin and play the organ at my own funeral!

I always say that it's about breaking the rules. But the secret of breaking rules in a way that works is understanding what the rules are in the first place.

Coming back to Yes is like never having left. Even when I have not been in the band, I have always felt part of it.

Even the two times that I left, I never really felt like I left the band. It's very bizarre. It's like there's sort of an umbilical cord that stretches between us spiritually.

But I listen to live recordings of things that I did back in the '70s and then how I've done things since. And there's no doubt about it: if I compare the two, it's like chalk and cheese.

Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.

I was born in 1949 - which seems like a long time ago... Actually, it is a long time ago, when I think about it.

I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.

I've been married three times and divorced three times.

My faith is very private to me. It plays an important part in my life, but I do not try and throw my beliefs at others. I have tremendous respect for all faiths and beliefs, but have a deep concern that religion and faith are currently a long way apart from each other.

But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.

People like Frank Zappa were amazing for us Brits.

I'm always writing or playing because that is my life.

My life revolves around music and always will. I need to be a part of music and not an observer.

I avoid preset sounds wherever possible, and all the sounds I use I have edited.

I bought a racehorse, Tropical Saint, that belonged to the Queen Mother. I used to go down to Banbury and watch him train, but during a televised race, his jockey pulled up and said there was something wrong. They put him in the grass to try and settle him but found him dead in the field.

I had just left Yes and had done a concert at Crystal Palace, South London, with a choir and orchestra playing my solo album 'Journey To The Centre Of The Earth' when I had my heart attack. That day, I hadn't been to bed for four days. I don't remember much. I felt very numb during the day and airy, which is the best way to describe it.

I was in and out of Yes six times. Someone once likened it to Liz Taylor and Richard Burton's marriage where we couldn't live with or without each other. There's an element of truth, and I last left in 2005.

My dad died in 1980, and I found out afterwards from mum that my piano lessons, which cost £2 a week, took up nearly a third of his income.

Sparks is a sporting charity that puts on golf tournaments for sick children, and my animal charities include Oldham Cats and Feline Care, a big cat charity close to me in Norfolk. I'm also a Freemason and the money they raise for charity is phenomenal.

There's a fine line between angry and grumpy. Angry isn't nice, but grumpy is funny.

Theres a fine line between angry and grumpy. Angry isnt nice but grumpy is funny.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.