There is a certain combination of anarchy and discipline in the way I work.

One of the things about acting is it allows you to live other people's lives without having to pay the price.

I don't like to watch my own movies - I fall asleep in my own movies.

I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum.

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

It's important not to indicate. People don't try to show their feelings, they try to hide them.

The talent is in the choices.

There's nothing more ironic or contradictory than life itself.

You'll have time to rest when you're dead.

There is a certain combination of anarchy and discipline in the way I work.

I've never been one of those actors who has touted myself as a fascinating human being. I had to decide early on whether I was to be an actor or a personality.

You learned the two greatest thing in life, never rat on your friends, and always keep your mouth shut.

Good directors can bring certain things out of you, with their intensity or gentleness or sensitivity or understanding. They can make an actor feel he can do no wrong.

I always tell actors when they go in for an audition: Don't be afraid to do what your instincts tell you. You may not get the part, but people will take notice.

I love to find new people. It's not for the sake of their being new; it's because if you find someone who perfectly fits a part, that's such a great thing.

I mean, the actors that I admired were Marlon Brando, Montgomery Clift, an actress named Barbara Harris. And Greta Garbo. They were great actors.

I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.

I think it's important to have had at least a few years of obscurity, where people treat you like everybody else.

I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.

If it's the right chair, it doesn't take too long to get comfortable in it.

Italy has changed. But Rome is Rome.

Movies are hard work. The public doesn't see that. The critics don't see it. But they're a lot of work. A lot of work.

My mother worked for a woman, Maria Ley-Piscator, who with her husband founded the Dramatic Workshop, which was connected to the New School. My mother did proofreading and typing and stuff or her, and as part of her payment, I was able to take acting classes there on Saturdays when I was 10.

The director respects what they've hired you for and chosen you for: to do the part and respect what you're doing.

The hardest thing about being famous is that people are always nice to you.

Time goes on. So whatever you're going to do, do it. Do it now. Don't wait.

Auditions are like a gamble. Most likely you won't get the part, but if you don't go, you'll never know if you could've got it.

When you feel that you cant fight it you just go for it. When it comes to the arts passion should always trump common sense.

You learned the two greatest things in life, never rat on your friends, and always keep your mouth shut.

In almost every country there are elements of opinion which would welcome such a conclusion because they wish to return to the politics of the balance of power, unrestricted and unregulated armaments, international anarchy, and preparation for war.

It would be immoral to walk away from the consequences of our actions, leaving behind anarchy and civil war in Iraq.

Are not laws dangerous which inhibit the passions? Compare the centuries of anarchy with those of the strongest legalism in any country you like and you will see that it is only when the laws are silent that the greatest actions appear.

If we don't make earnest moves toward real solutions, then each day we move one day closer to revolution and anarchy in this country. This is the sad, and yet potentially joyous, state of America.

Tyranny and anarchy are never far apart.

Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.

Without an advocate for the poor, without a new state of mind in America, the country lies on the brink of anarchy.

In liberal democracy and anxious anarchy, the traditional classic dance, compact of aristocratic authority and absolute freedom in a necessity of order, has never been so promising as an independent expression as it is today.

Inside every working anarchy, there's an Old Boy Network.

Anarchy is the only slight glimmer of hope.

There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.

The human race is intoxicated with narrow victories, for life is a string of them like pearls that hit the floor when the rope breaks, and roll away in perfection and anarchy.

As soon as liberty is complete it dies in anarchy.

Our government... teaches the whole people by its example. If the government becomes the lawbreaker, it breeds contempt for law; it invites every man to become a law unto himself; it invites anarchy.

I was the only guy with any bit of anarchy left.

There is no greater evil than anarchy.

Undermine their pompous authority, reject their moral standards, make anarchy and disorder your trademarks. Cause as much chaos and disruption as possible but don't let them take you ALIVE.

The Internet is the first thing that humanity has built that humanity doesn't understand, the largest experiment in anarchy that we have ever had.