I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

One of the things about acting is it allows you to live other people's lives without having to pay the price.

I don't like to watch my own movies - I fall asleep in my own movies.

I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum.

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

It's important not to indicate. People don't try to show their feelings, they try to hide them.

The talent is in the choices.

There's nothing more ironic or contradictory than life itself.

You'll have time to rest when you're dead.

There is a certain combination of anarchy and discipline in the way I work.

I've never been one of those actors who has touted myself as a fascinating human being. I had to decide early on whether I was to be an actor or a personality.

You learned the two greatest thing in life, never rat on your friends, and always keep your mouth shut.

Good directors can bring certain things out of you, with their intensity or gentleness or sensitivity or understanding. They can make an actor feel he can do no wrong.

I always tell actors when they go in for an audition: Don't be afraid to do what your instincts tell you. You may not get the part, but people will take notice.

I love to find new people. It's not for the sake of their being new; it's because if you find someone who perfectly fits a part, that's such a great thing.

I mean, the actors that I admired were Marlon Brando, Montgomery Clift, an actress named Barbara Harris. And Greta Garbo. They were great actors.

I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.

I think it's important to have had at least a few years of obscurity, where people treat you like everybody else.

I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.

If it's the right chair, it doesn't take too long to get comfortable in it.

Italy has changed. But Rome is Rome.

Movies are hard work. The public doesn't see that. The critics don't see it. But they're a lot of work. A lot of work.

My mother worked for a woman, Maria Ley-Piscator, who with her husband founded the Dramatic Workshop, which was connected to the New School. My mother did proofreading and typing and stuff or her, and as part of her payment, I was able to take acting classes there on Saturdays when I was 10.

The director respects what they've hired you for and chosen you for: to do the part and respect what you're doing.

The hardest thing about being famous is that people are always nice to you.

Time goes on. So whatever you're going to do, do it. Do it now. Don't wait.

Auditions are like a gamble. Most likely you won't get the part, but if you don't go, you'll never know if you could've got it.

When you feel that you cant fight it you just go for it. When it comes to the arts passion should always trump common sense.

You learned the two greatest things in life, never rat on your friends, and always keep your mouth shut.

And it was only released in London last week, so when I go back to England Monday or whatever, I am expecting heaps of adulation. I'm hoping there is. If that doesn't happen I will be disappointed.

My cousins gay, he went to London only to find out that Big Ben was a clock.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

During our stay in London for the first time I was able to establish personal contact with some of the organic chemists, whose work I knew and admired from the literature. I found them most gracious and helpful.

London is a roost for every bird.

One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

Well, I heard of Sunny Ade, and looks as if his music is gonna be big on a global level, because I was in London the other day and some people asked me to review the album.

I live in London and I am a British subject, although I do write in Spanish, of course.

I loved living in London, and I didn't want to leave.

After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.

By seeing London, I have seen as much of life as the world can show.

I was born in London, and went to school in Scotland - I used to be dead tired when I got home at night.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Three hundred years ago a prisoner condemned to the Tower of London carved on the wall of his cell this sentiment to keep up his spirits during his long imprisonment: 'It is not adversity that kills, but the impatience with which we bear adversity.

The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.

My return to London introduced me to a wider range of society.

Vicars, MPS and lawyers were amont those who considered me to be the best hostess in London.