So I wrote what I hoped would be science fiction, I was not at all sure if what I wrote would be acceptable even. But I don't say that I consciously wrote with humour. Humour is a part of you that comes out.

I have never been a critic of science fiction as a whole.

I'm quite influenced in this by one of my heroes, Montaigne, who thought a man's real task was to render as honest an account of himself as he could.

I was forever reading outside of the field as well as in it.

I knew I was doing something right because it was selling so I didn't want to interfere with it.

I like to think that I have no single view nor any single situation that I think things arrive from. I try to give examples of what I think are interesting questions for me.

A lot of us don't want to be quite that serious about world problems. Our life is there to enjoy, not to be an eternal dissident, eternally unhappy with how things are and with the state of mankind.

So I wrote what I hoped would be science fiction, I was not at all sure if what I wrote would be acceptable even. But I don't say that I consciously wrote with humour. Humour is a part of you that comes out.

I don't finish every story, but I probably write and send out three out of five of them.

I'm not so interested any more in how a great deal of science fiction goes. It goes into things like Star Wars and Star Trek which all go excellent in their own way.

Science fiction is very healthy in its form.

There is a great deal of cyberpunk that I admire, especially the work of William Gibson which I think is excellent. Somehow he speaks from his own heart and cyber punk is what comes out.

Once you find you can't walk as far and as fast as you were able, life becomes more complicated.

I've always thought of absurdism as a French fad I'd like to belong to.

The absurdist stuff wasn't terribly popular at the time I was doing it.

It takes me a long time to get with a landscape. It took me 20 years before I wrote anything about Ibiza, and I haven't written about Oregon yet, although I've been there 20 years - possibly I'm almost due.

I'm not too fond of the hard work and the constant battle with self-doubt that goes on when I write, but I figure that's part of the territory.

I do think that short story writing is often a matter of luck.

I don't much like to look back with the idea that I was doing it wrong then or I'm doing it wrong now.

Ethical and questions of philosophy interest me a great deal.

As far as the mechanics go, working with other people on received ideas was for me a very interesting technical problem. I can't say that any of my collaborations engaged my heart, but they engaged the craftsman in me.

I was never able to write seriously about heroes because I was very aware that I was not one and that in my background there was not this heroic thing.

A novel is often a longer process in handling self-doubt.

A novel is often a longer process in handling self-doubt.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I dig science fiction, though it was never really my thing.

I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

We have escapist fiction, so why not escapist biography?

Like everybody at that age, I read an awful lot of pulp fiction. But at the same time, I also read quite a bit of history and read that as much for pleasure as part of a curriculum.