I'll never get used to living without Mo, but the painful things that surround what happened to him aren't so painful any more-not so raw or so new.

I'd never try to be that distinctive from the Bee Gees' sound. I'm very proud of being a Bee Gee and am always aware that I'll be identified as a Bee Gee.

I'm really happy that I got to work with such fresh talent. In a day when record companies are not particularly good at encouraging young, talented songwriters to come forward and get exposure, I think it's important to give tomorrow's songwriters the opportunity.

You know, we'd just had a birthday, he was... you know, he still had a future out of him, and all I can is he was just one of the most beautiful people in the world... a very gifted man, and it's a loss to the world, not just for us.

I think for anybody, any family, and I know there are families out there that are going through this even now, that it is the hardest thing in the world. Nobody is ever prepared for it.

With Maurice suddenly going, I realised... I think I've matured. I don't take things lightly any more.

I haven't really met anyone else who has influenced me, but you never know, it could happen next year or next month. I just like to go with the spur of the moment.

It just felt like the right time to focus on solo material.

When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play... immediately inspirational writings, amazing. That's what we're going to miss.

The Bee Gees, to us, was the three brothers. In Maurice's name, we would respect that and not be the Bee Gees anymore.

I find it very, very hard. He was part of the fabric of my life. We were kids together, and teenagers. We spent the whole of our lives with each other because of our music.

We've been in each other's pockets our entire lives.

I don't take things for granted, because everything feels more fragile. It's made me wonder about mortality and how long you've got somebody in the world. I'm more fearful than I used to be.

Music became an obsession, and eventually we felt more comfortable with each other then we did with anyone else. The three of us were like one person.

You're looking at the Bee Gees right now.

We said we'd fly the flag without him and carry on. I didn't give him a kiss because I still hadn't accepted what was happening. I was hoping that some miracle was going to happen. Of course, it didn't. I wish I had kissed him now.

I'll never get used to living without Mo, but the painful things that surround what happened to him aren't so painful any more-not so raw or so new.

In the beginning, Barry and I couldn't decide if we were going got go forward with the name of the Bee Gees or just as Barry and Robin. Now we've decided to continue as the Bee Gees because we feel we can, and Maurice would have wanted it.

It makes us feel better that everyone out there is thinking of Maurice.

We will pursue every factor, every element, every second of the timeline, of the final hours of Maurice's life. We will pursue that relentlessly. That will be our quest from now on.

As the plane got closer to Miami, I had this terrible feeling he was dying. Maybe he was telling me that he was going. I felt anger, panic, despair and helplessness.

Nobody will ever take Maurice's place, and he'll go on with us and he'll go on our music. He'll go on with us as the Bee Gees, and Maurice will always be with us.

I hadn't accepted he was seriously ill. The idea that someone so close to you couldn't wake up was utterly incomprehensible. Then the doctor came in... Maurice had no brain left. There wasn't any activity at all.

If the heart stops for more than two minutes, you have massive brain death. There are only two minutes between our conscious world and zero. That's how fragile our consciousness is.

Everyone's looking to the urban scene for inspiration now.

I'm not a party person or someone who likes to sit and drink in clubs all night, and never really have been. I have a good time through work.

The Bee Gees were always heavily influenced by black music. As a songwriter, it's never been difficult to pick up on the changing styles of music out there, and soul has always been my favourite genre.

I don't have too much faith in destiny, or an afterlife. This is it.

I don't like lifts and will walk up 20 flights of stairs if I have to. Crowded rooms make me uncomfortable, too, although I can sing to a stadium full of thousands of people no bother.

I sometimes wonder if the tragedies my family has suffered are a kind of karmic price for all the fame and fortune the Bee Gees have had.

Lots of people aren't comfortable with silences. They feel they've got to fill the dead air.

Music is being treated as one big karaoke machine.

My idea of a good time is creating something and reading a good book.

Rarely do I attach guilt to something pleasant. Life's too short.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

It is living and ceasing to live that are imaginary solutions. Existence is elsewhere.

You are not here merely to make a living. You are here in order to enable the world to live more amply, with greater vision, with a finer spirit of hope and achievement. You are here to enrich the world, and you impoverish yourself if you forget the errand.

I love living on that stage. Without that, I'd die.

There is always a type of man who says he loves his fellow men, and expects to make a living at it.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Death comes not to the living soul, nor age to the loving heart.

The association promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in any prior decisions.

Every true prayer is a prayer of the Church; by means of that prayer the Church prays, since it is the Holy Spirit living in the Church, Who in every single soul 'prays in us with unspeakable groanings'.

It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

Living at risk is jumping off the cliff and building your wings on the way down.

A little simplification would be the first step toward rational living, I think.

I have come to terms with a lot of things, because, when all's said and done, there's really very little one can do about a lot of things. You just accept them. The point is you just have to keep on working and you just have to keep on living.