But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

Yes, basically, like you said, I'll work out a chord pattern and work out the lyrics over that.

Once I've written a song, I sometimes refine them.

Leadbelly's guitar is in the Rock n' Roll Hall of Fame.

Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.

I play a couple basic folks songs and break them down. I did that on a six string. I can't recall all the songs on it. There's some finger picking on it.

I always got a kick out of it when they called it the California Sound because it really came out of Liverpool and Greenwich Village.

I don't really collect guitars.

Well, I guess that early 12 string. The first Martin I bought. I bought it around 1957 with money I earned as a janitor assistant. I bought brand new. I still have that.

The first 12-string guitar I bought was probably around 1957.

I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.

I love being on the sea and the rolling of the ship, and for me, it's not really happening until we get a little wave action going, I love that feeling.

I started playing guitar back in '56. I was a teenager, and guitars had just come in, and I had a thing for it and got one. Started learning lead breaks from songs, because that was the easiest thing to do at the time. I had the guitar for two years before I learned any chords. Really.

I think Wilco is going to definitely stand the test of time - no question - and Uncle Tupleo, and the whole No Depression scene, which is now alt-country. I think that's going to be around a long time.

I think the Internet is an awful lot like FM radio was when it broke out in the late '60s. It's kind of a wild and wily kind of format. They could play 20 songs in a row that had the word 'blue' in them, or whatever they wanted to do.

I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.

I was raised a Roman Catholic and had to go to the eight o'clock Mass every morning and have communion and wear a tie, kind of like a restricted life style. Then in the '60s, we got wild and let it go and started looking in other places to see where God really was, and I came back to the Christian thing.

I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.

I've always considered myself a folk singer, even though we strapped on Rickenbacker guitars and played pretty loud.

I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.

One of my favorite albums is Bob Gibson and Bob Camp, 'At the Gate of Horn.' It was a really dynamic album, almost like The Beatles, and way before its time... around 1960 or so.

People have told me that other artists have been influenced by my music, and it's flattering. It's a wonderful thing.

That's one of the things I like best about folk music is the beautiful melodies - and the harmonies - that exist in it. And of course, some of the stories, the story songs.

The original Byrds were very much Beatles-influenced, and then we gradually got our own sound. We started mixing things together more.

To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.

We were like psychedelic folk combined with Sonic Youth's noise.

I think my election is one of several indications that gay and lesbian folk are being brought more into the center of things. I'd like to think that my election signals my bringing of gay and lesbian folk into the center of the church.

Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.

The models for me were more the folk-rock singers of the '60s and '70s.

I think they do a great job on Queer as Folk.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Real folk music long ago went to Nashville and left no known survivors.

I have a deep rooted folk sensibility that I can't get away from completely.

Civilization is a conspiracy. Modern life is the silent compact of comfortable folk to keep up pretences.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.

The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.

The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.

That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.

Why do we need to wait until somebody sells 10 million records to give people a show like that? What about us smaller, hungry folk? At least gimme a curtain!

But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.

All music is folk music. I ain't never heard a horse sing a song.

But the West did not last long enough. Its folk myths and heroes became stage properties of Hollywood before the poets had begun to get to work on them.

My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.

He helped make Living Things even more crazy than I wanted it to be. He added old-fashioned piano and classical folk music - that weird otherworldly vibe - all these elements got onto the record.

Logically, when you talkin' about folk music and blues, you find out it's music of just plain people.

The vast majority of English folk cannot and will not consider a picture as a picture, apart from any story which it may be supposed to tell.

I've been getting into Nick Drake lately, the folk singer. Sad, gorgeous stuff.