I think I'm drawn to writing about something which feels intense and important.

A novel usually takes me two years. A year to research and plan and dream. Then a year to write.

Any setting can potentially acquire this vividness. It slowly arrives during the period of research, until it is as immediate to me as my own real surroundings.

I can inhabit any character in a way that is difficult to do successfully in a contemporary novel.

I think I'm drawn to writing about something which feels intense and important.

The unfolding of a story is both as exciting and as difficult for each and every novel I've written, regardless of time and place.

Life should be embraced like a lover.

I'm not very interested in charting a day-to-day familiar reality. I'm always looking for territory in which to explore the BIG subjects, the life-or-death stories.

When you've finished a piece of work you've had a kind of love affair with it.

I have likened writing a novel to going on a journey, with some notion of the destination I will arrive at, but not the whole picture - which emerges gradually as a series of revelations, as the journey goes along.

The process of rewriting is enjoyable, because you're not in that existential panic when you don't have a novel at all.

At the moment, I'm toying with a new idea for a book, but fully engaged with writing screenplays, so the book idea - which needs empty space in my head - is barely formed yet.

So history is fertile territory for me and I think I could feel happy with any period of history, provided I had the right sources and the necessary time for the initial research.

Life is not a dress rehearsal.

Perhaps, all writers walk such a line. In general - as we all do in our dreams - I believe I put something of myself into all the characters in my novels, male as well as female.

Perhaps, more importantly, I think that most human beings realise only a fraction of the true potential of their minds, so the spiritual or mystical, the things which remain mysterious or unexplained have always drawn me to include them in any scheme for a novel.

I'm always amazed by writers who tell me they plan everything at the beginning. I feel their writing days must be very bland.

Never be satisfied with a first draft. In fact, never be satisfied with your own stuff at all, until you're certain it's as good as your finite powers can enable it to be.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it.

And that's what I've learned too: writing is key.

Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.

But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.

Life sometimes gets in the way of writing.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

I wasn't interested in writing music that wasn't beautiful for me to listen to.

And yes, there's a simplicity to writing books because you're not a member of a team, so you make all the decisions yourself instead of deferring to a committee.

No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem.

You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.

Writing as a woman presents enormous problems but I have attempted it several times and haven't had many complaints.