It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.

You know, it was uncomfortable doing the same thing. I don't like a rut.

I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.

And music was a very important part of our lives. The radio was on all day.

But, when I was about thirteen, I began to sort of sing in my neighborhood.

There was no television, so the radio provided you with everything.

It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.

We had something to say. Whenever we played, people didn't dance, they listened.

I was born in Panama, the Republic of Panama, on July 16, 1948 in Panama City, in an area called San Felipe.

Anywhere you had a commerce center, you had a lot of music.

What I do not accept is the fact that so many people's talents were ripped off.

So I went to Miami in '74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn't have any money to begin with.

It doesn't make sense for me to be a lawyer in a place where there is no law.

So everything that ever happened, we knew about in Panama.

So that in 1974, when I graduated as a lawyer, I figured I'm not going to be a lawyer under a military regime.

So that I saw music as a way of documenting realities from the urban cities of Latin America.

What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.

It's almost as if people think that in Latin America we're not hip to what's happening here.

They're making a ton of money, and no one is getting a nickel.

So that when I came from Panama... my family was exiled in 1973 and they went to Miami.

I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.

I decided we should book ourselves, so I started booking the band.

So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.

I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.

People are a lot smarter than anyone gives them credit for being.

The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.

And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.

Rock is young music, it is youth oriented. It just speaks for a generation.

Yes, I was going to law school and it was closed in '69.

I think we risk becoming the best informed society that has ever died of ignorance.

A lot of times you're just conditioned by what's around you.

Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.

In those days the big U.S. labels didn't have any particular interest in the Latin market.

I think being born in Panama was a blessing because Panama is a port city. It's a really - the mentality is that - I remember that of admitting things in. You know, ports, ideas come in and out all the time.

Tango was very popular in Panama at the time when I was growing up. In the Fifties in Panama, the radio stations played all types of music.

There's something about the tango that brings even more emotion out of the lyrics.

The new Germany has the unquestionable right to hold its tongue between its teeth.

I think this could be our best victory over Germany since the war.

If the British Fleet were lost or captured, the Atlantic might be dominated by Germany, a power hostile to our way of life, controlling in that event most of the ships and shipbuilding facilities of Europe.

Most of the victims of Nazi aggression were before the war less well off than Germany. They should not be expected by Germany to bear, unaided, the major costs of Nazi aggression.

Altogether apart from that, it would be a disgrace to us to make this bargain with Germany at the expense of France, a disgrace from which the good name of this country would never recover.

Just as a child respects his father even when he perceives his weaknesses and faults, so a German will not despise the old Germany which was once a symbol of greatness to him.

I also work with the regular orchestras in Munich, Germany and other similar orchestras.

Hitler's economic revolution in Germany had reduced financial considerations to a point where they played no role in economic or political decisions.

The biggest trade that Germany and Britain had was with each other, in the prewar period; I think I'm right in that. Two highly industrialized nations had the most trade with each other, and it wasn't tariff policies alone that made trade relations better for both of them.

This old Germany was partly defeated in its conflict with the progressive ideas of socialism, for it had given the people nothing that could serve as a successful alternative to socialism.

It was one thing to contain the Soviet Union in Europe because Britain, France, and Germany were all willing to join in. But will Japan and other Asian countries be willing to join in the containment of China?

I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.