So that I saw music as a way of documenting realities from the urban cities of Latin America.

You know, it was uncomfortable doing the same thing. I don't like a rut.

I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.

And music was a very important part of our lives. The radio was on all day.

But, when I was about thirteen, I began to sort of sing in my neighborhood.

There was no television, so the radio provided you with everything.

It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.

We had something to say. Whenever we played, people didn't dance, they listened.

I was born in Panama, the Republic of Panama, on July 16, 1948 in Panama City, in an area called San Felipe.

Anywhere you had a commerce center, you had a lot of music.

What I do not accept is the fact that so many people's talents were ripped off.

So I went to Miami in '74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn't have any money to begin with.

It doesn't make sense for me to be a lawyer in a place where there is no law.

So everything that ever happened, we knew about in Panama.

So that in 1974, when I graduated as a lawyer, I figured I'm not going to be a lawyer under a military regime.

So that I saw music as a way of documenting realities from the urban cities of Latin America.

What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.

It's almost as if people think that in Latin America we're not hip to what's happening here.

They're making a ton of money, and no one is getting a nickel.

So that when I came from Panama... my family was exiled in 1973 and they went to Miami.

I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.

I decided we should book ourselves, so I started booking the band.

So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.

I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.

People are a lot smarter than anyone gives them credit for being.

The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.

And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.

Rock is young music, it is youth oriented. It just speaks for a generation.

Yes, I was going to law school and it was closed in '69.

I think we risk becoming the best informed society that has ever died of ignorance.

A lot of times you're just conditioned by what's around you.

Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.

In those days the big U.S. labels didn't have any particular interest in the Latin market.

I think being born in Panama was a blessing because Panama is a port city. It's a really - the mentality is that - I remember that of admitting things in. You know, ports, ideas come in and out all the time.

Tango was very popular in Panama at the time when I was growing up. In the Fifties in Panama, the radio stations played all types of music.

There's something about the tango that brings even more emotion out of the lyrics.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.