I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.

So the same cultural and political issues that divided us in 1968 are still dividing us.

A couple of years I taught in graduate programs at NYU and Columbia, in the early eighties.

Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.

Motivations are too tangled and complex.

And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey.

The United States particularly abandoned Liberia after the end of the Cold War.

I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.

Although I still occasionally paint and draw, my life has now been shaped by my writing.

The best thing about writing programs is that it rationalized the apprenticeship of a writer.

Nobody does anything for one reason.

My major allegiance has been to storytelling, not to history.

Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.

Through writing, through that process, they realize that they become more intelligent, and more honest and more imaginative than they can be in any other part of their life.

Chimpanzees are endangered. Severely.

But on the other hand, I don't actively seek out stories or hunt them down.

I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.

It's hard to spend years at a time working in total solitude with no reality-check.

But really, it was reading that led me to writing. And in particular, reading the American classics like Twain who taught me at an early age that ordinary lives of ordinary people can be made into high art.

First of all it's usually women who run these higher primate sanctuaries, rarely men. They are white. They come from privileged backgrounds. They are educated.

For almost anyone who chooses to be a writer, since so very few writers are able to learn a living from their work that is equivalent to the living earned by the average dentist or accountant.

I don't want it to be all that self-conscious or artificial, but it really grows out of my having invented myself as a listener so that I could hear her voice.

One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.

If you dedicate your attention to discipline in your life you become smarter while you are writing than while you are hanging out with your pals or in any other line of work.

What I am finding now is that my audience is getting younger as I get older, which is a very good thing as you know - you don't want them to get older as you get older.

John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.

And there are people who want to be writers because they love to write. And they care.

The 60s passed and faded and I grew older, and in 1987 bought a house in upstate New York, and it turned out that John Brown was buried down the road from my house and that he had lived there longer than anywhere else and his house was still standing.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.