John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.

So the same cultural and political issues that divided us in 1968 are still dividing us.

A couple of years I taught in graduate programs at NYU and Columbia, in the early eighties.

Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.

Motivations are too tangled and complex.

And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey.

The United States particularly abandoned Liberia after the end of the Cold War.

I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.

Although I still occasionally paint and draw, my life has now been shaped by my writing.

The best thing about writing programs is that it rationalized the apprenticeship of a writer.

Nobody does anything for one reason.

My major allegiance has been to storytelling, not to history.

Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.

Through writing, through that process, they realize that they become more intelligent, and more honest and more imaginative than they can be in any other part of their life.

Chimpanzees are endangered. Severely.

But on the other hand, I don't actively seek out stories or hunt them down.

I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.

It's hard to spend years at a time working in total solitude with no reality-check.

But really, it was reading that led me to writing. And in particular, reading the American classics like Twain who taught me at an early age that ordinary lives of ordinary people can be made into high art.

First of all it's usually women who run these higher primate sanctuaries, rarely men. They are white. They come from privileged backgrounds. They are educated.

For almost anyone who chooses to be a writer, since so very few writers are able to learn a living from their work that is equivalent to the living earned by the average dentist or accountant.

I don't want it to be all that self-conscious or artificial, but it really grows out of my having invented myself as a listener so that I could hear her voice.

One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.

If you dedicate your attention to discipline in your life you become smarter while you are writing than while you are hanging out with your pals or in any other line of work.

What I am finding now is that my audience is getting younger as I get older, which is a very good thing as you know - you don't want them to get older as you get older.

John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.

And there are people who want to be writers because they love to write. And they care.

The 60s passed and faded and I grew older, and in 1987 bought a house in upstate New York, and it turned out that John Brown was buried down the road from my house and that he had lived there longer than anywhere else and his house was still standing.

I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.

We support President Truman's civil rights program.

There are those who say to you - we are rushing this issue of civil rights. I say we are 172 years late.

A lot of things happened in a lot of places. And to see how well it was handled in Atlanta. There are a lot of reasons for Atlanta being a special town in the Civil Rights era.

He didn't even have the satisfaction of being killed for civil rights. it had to be some silly little Communist.

When it came to political power, blacks need not apply. Add to this steaming stew the growing tensions over the Vietnam War and the movement for civil rights, and you had plenty of elements to fire the imagination of a novice journalist.

Rarely in my 45 years as a civil rights lawyer have I been so angry about an injustice as I am about what happened to Billy Ray Johnson.

I'm a child of the Civil Rights Movement.

By 1962, King had become, by the media's reckoning, the new civil rights leader.

There is no contradiction between effective law enforcement and respect for civil and human rights. Dr. King did not stir us to move for our civil rights to have them taken away in these kinds of fashions.

The civil rights movement in the United States was about the same thing, about equality of treatment for all sections of the people, and that is precisely what our movement was about.

When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed.

The South resented giving the Afro-American his freedom, the ballot box and the Civil Rights Law.

Eyes is the attempt to tell the story of the Civil Rights movement and to create an emotional, intellectual constituency. But what do you do after that? The black community doesn't have institutions that pick up such moments and preserve them.

It is distressing to me that we live in an age in which we still must fight to protect our civil rights as Americans, in which a hate crime perpetrated against someone based their sexual orientation can go unpunished, and in which discrimination is being written into our laws.

Nothing could be more insulting to me than the concept of civil rights. It means perpetual second-class citizenship for me and my kind.

When I started graduate school I was interested in the culture of the Civil Rights Movement.

That's what he was saying, the civil rights movement - judge me for my character, not how black my skin is, not how yellow my skin is, how short I am, how tall or fat or thin; It's by my character.

What drew me to both study and activism was the formative experience of the civil rights movement.

No one is immune from the larger events of his or her time - the Depression, World War II, civil rights, Vietnam, the spring of 1989 in China. These events intrude upon our lives and radically affect our directions.

I think the legacy of the civil rights movement is that now whites are more open to being represented by people of color or people who are women or, again, non-traditional candidates.