Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.

I feel like I've never had a home, you know? I feel related to the country, to this country, and yet I don't know exactly where I fit in... There's always this kind of nostalgia for a place, a place where you can reckon with yourself.

Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.

You can't make a living as a playwright. You can barely scrape by.

Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.

I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.

Sides are being divided now. It's very obvious. So if you're on the other side of the fence, you're suddenly anti-American. It's breeding fear of being on the wrong side.

I didn't go out of my way to get into this movie stuff. I think of myself as a writer.

For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.

Hollywood is geared toward teenage idiocy.

I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.

I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.

I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.

I'm not in demand. I'm all washed up.

I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.

In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.

It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.

It's one of the great tragedies of our contemporary life in America, that families fall apart. Almost everybody has that in common.

My dad had a lot of bad luck. You could see his suffering, his terrible suffering, living a life that was disappointing and looking for another one.

My old man tried to force on me a notion of what it was to be a 'man.' And it destroyed my dad.

Sometimes in someone's gestures you can notice how a parent is somehow inhabiting that person without there being any awareness of that. Sometimes you can look at your hand and see your father.

The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.

There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.

There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.

To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.

When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come.

You sometimes use the excuse, 'I'm a writer, dammit, I can do anything I want,' but that doesn't work.

The funny thing about having all this so called success is that behind it is a certain horrible emptiness.

To sit on a ranch horse that's been broken in, it's like getting in a Porsche.

It's my private life, and it's not up for grabs.

It was always part of the plan to move into acting.

Be where the acting is. I live in Houston. Dallas is 4 1/2 hours away. I let them know there's no difference.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.

I think acting is about forgetting yourself in order to give the best of yourself. It's passing through you more than you're creating it. You're not the flower, but the vase which holds the flower.

In LA, too many people want to go the quickest route from A to B. Method acting offers them that.

I don't see it as a form of healing, because if you have wounds that are bleeding I don't think acting will ever get them to stop. But I find acting is a form of illumination.

Maybe I can't act, but I know the gimmicks. I studied acting all my life and know what's good for me.

I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.

I'm not acting, but I am acting.

I've done a lot of acting. I'm not saying I'm the greatest, but I'd love to act, I'd love to sing.

I had a bonding problem when I went off and boxed for five years. I was over in Europe and Asia fighting because I wanted to do something different; I was tired of acting. But the thing is, when I was done doing that, I couldn't get a job.

Acting for me is not that quid pro quo.

If you're acting, then there's a prescribed way to behave; whereas in life there's no prescribed way. So acting feels like a comfortable way to get through the day.

When I was a kid, the idea of why I wanted acting to be the thing I do for the rest of my life was different. It was, Oh yeah, I'll get girls and be famous.

And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.

I read. It's also nice for me to get involved in schoolwork, which is a totally different world than acting. It makes me feel like I am doing things that normal people are doing at my age.

It's a living, breathing thing, acting.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.