I lived in Vancouver, where they film so many things. So it gave me a good shot at it.

Your home should be your home. People shouldn't be allowed to use whatever crazy lenses they use to catch you waking up in the morning.

What doctor does not need platform heels and dark black eyeliner to treat their patients?

I think that as is true in this industry, everything gets blown out of proportion because it's more fun for people to read about. It's even more fun to read about if the stories get wilder and wilder.

I love acting, and it was really important to me to give it a real shot.

It was really cool going to Sea World. We had an amazing time. They were amazing to us. We got to swim with the dolphins, and it was really special.

We have such a good time working together. It makes such a difference going to work every day for 14 hours and being able to hang out and have a good time.

I don't smoke, I try to eat right, and I love doing yoga and going for hikes with my dog.

In fact, if they didn't let me commute, I would not have taken the role because I wanted to graduate high school with my classmates. I remember my agent's jaw dropping when I told him if I couldn't commute I didn't want the role.

I've slowly gone back, later on in life, to fish and then chicken and then, last year, red meat.

Roseanne was incredible to work with. She was extremely bright.

The first time I lived in L.A. I was too young. I really wanted to be back home in Vancouver.

I don't think when people sign up for a life of doing something they love to do they should have to sign up for a complete loss of privacy. I understand a little loss of privacy coming with the job.

Walking into a show when I was 16, at that time when it was the No. 1 hit show, and replacing a character comes with so many expectations. I felt a lot of pressure with that.

So the first season about halfway through he just sort of put us together and then broke us up all within one episode. One of the ideas is to have us do that once a year - to have everything blow up in our faces and not work out.

I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.

I would be sad if it ended now. It's been the best job I've had by a long shot, especially creatively because the writing is so good. Every week I get the script and I laugh out loud and get excited for the different stuff we get to do.

I lived in Vancouver, where they film so many things. So it gave me a good shot at it.

I'm having the time of my life. I've never looked forward to going to work so much every day. I'm loving it; it's great. It's what I love to do and I wouldn't want to be doing anything else.

I think that we had a really loyal, great audience on Tuesdays and we were hoping that with the move, they would come with us. It looks like they have, so things are good and we are going to keep building.

I would like to think that I'm more different from my character than I am.

Human beings are not meant to lose their anonymity and privacy.

But to be part of helping create a character and be a part of something from the beginning - the excitement of it - it doesn't get any better.

I was 17 and the whole thing was very confusing at the time. It was a great job and I loved it, and to lose the role was definitely tough for me. I was devastated when I lost the role.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

We're making a commercial Hindi film catering to all types of audiences.