Before I got Doctor Who, I went to the Guildhall School of Music and Drama. I went back to take the final grade exam, which is the grade you have to take before you can take the teacher's diploma.

I think I must have too much to eat, we were doing a scene where we were crawling, and I ripped my trousers. I was very embarrassed. I was sown in, stitched in, quickly!

I love photography. My boyfriend's got a great camera, which I bought for his birthday.

I like the stories with the historical themes.

I enjoyed working with Peter, I was very pleased when I heard he was going to be the Doctor.

When we went to Belfast we saw some beautiful countryside and coastlines.

There are generations who watch Doctor Who together.

There's lots of interesting jobs in the profession besides acting, and I like to try and keep an eye on and understand other people's jobs, rather than just my own.

Doctor Who is like any long-running series in that the cast tend to look to the star to set the general tone. Rehearsals and filming could be a lot of fun.

I'm a terrible person for carrying things around. I carry everything around with me, it's like my home.

Before I got Doctor Who, I went to the Guildhall School of Music and Drama. I went back to take the final grade exam, which is the grade you have to take before you can take the teacher's diploma.

I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.

Strikes always leave a bad taste with everyone.

I found it a little bit stressful, because I wasn't used to working with Doctor Who. I got the impression I'd walked into the end of seven years and it was all a bit tense.

I often look at a lot of Doctor Who stuff that's about now, which no one has approached me about.

After two years of doing one show, you do get attached to everyone.

Playing an alien gave me plenty of scope, and I was able to develop it once I became a member of the team.

I don't think I would have stayed for the second season if I hadn't been happy.

The cybermen are good monsters, I think. My earliest memories are of the cybermen from when I used to watch when I was younger. It's nice to have them back.

I'm not really a science-fiction fan, I quite like the idea of getting away from the science-fiction side of it, for two episodes. It was lovely, it was a super story and great fun.

I got very fit that week with all the running around that we di. I was always last, because I can't run as fast as everyone else. I'm useless at running.

One of my favorite stories was Black Orchid, because it was so different from all the others. I especially enjoyed dancing the Charleston. I have always been keen on dancing.

I would like to direct. What goes on behind stage is very interesting.

In the studio, if they need to come down to the floor, things are a bit pushy, although it is easier for them to say things directly rather than through about five people.

Some of those cartoons look nothing like me.

What you don't see backstage is what really controls the show.

We had a very energetic floor manager and he was always jumping around all over the place. The director would send down messages like, Can you tell that actor to calm down?

I enjoyed showing a bit more leg in the last few stories. It was good fun, but it can be quite sexist. But it doesn't worry me personally all that much.

I do still like television very much, but the theatre does really have something special about it.

I don't know if you've ever tried writing a Doctor Who story, but it's a lot more difficult than it initially appears, especially if you've got more than one assistant.

I thought The Visitation was good fun. We did some of that filming at Ealing on the big set.

I'd like to do some more classical work if I do some more theatre.

I did radio back in the era when we did radio drama.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

You have to go to the ultimate situation in drama.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

For me, football is just a game, not a drama.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

I'm doing music, and we both want to do some drama.

Culture clash is terrific drama.

I want to do drama, light comedy, the whole range.

We respond to a drama to that extent to which it corresponds to our dreamlife.

I always feel like an interloper when I do serious drama. It's my own paranoia.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.