I think Canada, our industry is still somewhat based in America's industry.

And once you cease to be a real person, you stop being a good actor.

You've got to just go do what you do - you can't really worry about who was attached to the movie before.

I can walk down the street all day and people look at me, but they don't talk to me or stop me.

Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.

I don't think I would be getting any of these movies without that show, and that's a strong show, a great fan base and it's helped me out a lot. It took me out of Canada and brought me down to the states and gave me my career basically.

It's an interesting time that way. It's hard to meet good girls down here. It seems like they're all after something and interested in their own lives.

I didn't really know what I wanted to do, and then I got this call from a casting director in Los Angeles. She remembered me from something years before, and she called my mom wanting me to audition for this thing.

There's such good writing now on television and I don't see a lot of great writing on films sadly.

I mean, I love California, but LA to me is still a strange place.

I bought a house in LA, hanging out there and spending a lot of time in Toronto, but not much.

And sex is definitely part of college life.

Well, when I did Underworld 2, I was in Vancouver for five months and I was reminiscent to be back up there.

I'd rather not make films than make bad ones.

I just would like to spend more time in New York City.

I can't swim at the level I used to. I had to retire because of an injury to my shoulder.

I think Canada, our industry is still somewhat based in America's industry.

I don't see the point in signing on to do something and then leaving.

I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.

I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.

Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.

If you don't live a normal life, how do you relate to people?

And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.

There's nothing worse - I don't like listening to actors talk about the process, especially when - I mean, for me I've played a lot of guys, dudes, boys in a sense and this was a challenge for me just to play that official character.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.

I've always thought that if Israel really wanted to solve the problem, they'd just start tomorrow and push right to the Jordan River, and anything in their way goes. They don't need America or someone else to help.

These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

From the long range point of view, I do not know of anything we can do more important than to make some contribution to the preservation of religion as a vital force in America.

Our alliances and our credibility are crucial elements of our working capital in advancing America's interests in the world, and they have been eroded over the last four years.

In America it's live by the sword of freedom of expression and be will to die by it as well.

America is not a melting pot. It is a sizzling cauldron.

The Council of Islamic Affairs is doing a great service to the world by promoting a greater understanding in America of the rich heritage of the Islamic peoples and their hopes and aspirations for the future.

The most censored speech in America today is not flag-burning, pornography, or the press.