Well, one thing I'm really interested in, when I'm writing, is being accurate.

I didn't have time to sit down and look at the work of a year and choose what to type.

There are some fine books and essays about that. Lewis Hyde has written about alcoholism and poets and the role that society gives its writers - encouraging them to die.

I was very afraid that I wouldn't be able to do this job well. And the time never came back.

I think that there are fiction writers for whom that works well. I could never do it. I feel as if, by the time I see that it's a poem, it's almost written in my head somewhere.

The older I get, the more I feel almost beautiful.

Many poets write books. They'll tell you: Well, I've got my next book, but there are two poems I need to write, one about x, one about y. This is a wonder to me.

Well, "The Wellspring" was written from 1983 to 1986. And it had a section in the beginning that was poems that began from others' experience.

If I wrote in a sonnet form, I would be distorting. Or if I had some great new idea for line breaks and I used it in a poem, but it's really not right for that poem, but I wanted it, that would be distorting.

So I did quit coffee and I did quit smoking. But I haven't managed that with drinking!

It might be a bad thing, not to know what's going on in the world. I can't say I really approve of it.

I'm probably so out of it at my age that I don't know what people think.

I think this is true for all artists. My senses are very important to me.

My poems - I don't even like the sound of that, in a way. Not that anyone else wrote them. But we know that only people who are really close to us care about our personal experience.

The decision for me was whether to have "The Father" be a book that told a story - from the point of view of this speaker, the daughter - without, as in the earlier books, then having a section on something else and a section on something else.

At one point I took on a new job, and I just didn't have time to do anything but work.

I wish I wrote more about the world at more distance from myself.

Their spirits and their visions are embodied in their craft. And so is mine. It's not Jane Saw Puff. But the clarity of Jane Saw Puff is precious to me.

Maybe we can use a metaphor for it, out of dance. I think for many years I was aware of the need, in dance and in life, to breathe deeply and to take in more air than we usually take in.

This creature of the poem may assemble itself into a being with its own centrifugal force.

The amount of horror one used to hear about in one village could be quite extreme. But one might not have heard about all the other villages' horrors at the same time.

Well, one thing I'm really interested in, when I'm writing, is being accurate.

When I quit all these things and said I didn't have any time, I meant I didn't have any time.

I'm not sure that the benefit - as a writer and as a citizen - that I would get from reading at least the front page of the Times every day or every other day would outweigh the depression.

The decision for me was whether to have 'The Father' be a book that told a story - from the point of view of this speaker, the daughter - without, as in the earlier books, then having a section on something else and a section on something else.

Well, 'The Wellspring' was written from 1983 to 1986. And it had a section in the beginning that was poems that began from others' experience.

Once you lose someone it is never exactly the same person who comes back.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I'm glad I'm not Brezhnev. Being the Russian leader in the Kremlin. You never know if someone's tape recording what you say.

Being a musician is what I do, but it's not what I am.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

We've had it very clear to the Bosnians that our obligation to equip and train their forces is completely conditional on the foreign forces being gone.

My parents were amazing people who had no business being together - and they knew it.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

Kind thoughts are rarer than either kind words or deeds. They imply a great deal of thinking about others. This in itself is rare. But they also imply a great deal of thinking about others without the thoughts being criticisms. This is rarer still.

The judge turned his back towards me, sitting back on his judge's chair, while I was in the witness stand being questioned. The whole courtroom was full of these anarchists, leftists, communists and Jewish lobbyists.

For me, being in front of the camera and training go hand in hand.

I define success as being comfortable with yourself and your life. And that is about as good as it gets, really.

Being injured is something that happens in this sport. Anybody who gets into it understands that.