I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper.

I've never shown anybody a draft of anything.

Most of my inspiration, if that's the word, came from books themselves.

And I'm a slow writer: five, six hundred words is a good day. That's the reason it took me 20 years to write those million and a half words of the Civil War.

I prize the Depression, for instance, because I learned the value of things in the Depression that a way people who don't have to worry about such things never learned to prize it really, I believe.

My second book, Follow Me Down had some success, got good critical notices, went into a second printing and things like that, but Shiloh was by far the most successful of those first five novels.

If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.

Of all the passions of mankind, the love of novelty most rules the mind. In search of this, from realm to realm we roam. Our fleets come loaded with every folly home.

I ran into Ku Klux Klan and the threat of hurricanes, and those two things made me decide not to build on the Alabama coast, so we came back to Memphis.

I took five years on the first volume, five years on the second volume, and ten years on the third volume.

When you grow up in a totally segregated society, where everybody around you believes that segregation is proper, you have a hard time. You can't believe how much it's a part of your thinking.

I never cared what kind of grade I got.

Longevity conquers scandal every time.

But the same thing was true in the army. You slept in a barracks with all kinds of people of every nationality, every trade, every character and quality you can imagine, and that was a good experience.

Getting close to books, and spending time by myself, I was obliged to think about things I would never have thought about if I was busy romping around with a brother and sister.

I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper.

I think that everything you do helps you to write if you're a writer. Adversity and success both contribute largely to making you what you are. If you don't experience either one of those, you're being deprived of something.

And I really do think that the difficulty of research makes it more real to you than punching a thing to find out how many men were killed at this particular action.

I'm crazy about Grant: his character, his nature, his science in fighting and everything else. But I don't like the idea that he never accepted the blame for anything, always found someone else to blame for any mistake that was ever made, including blaming Prentiss for Shiloh.

I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.

I think making mistakes and discovering them for yourself is of great value, but to have someone else to point out your mistakes is a shortcut of the process.

I began the way nearly everybody I ever heard of - I began writing poetry. And I find that to be quite usual with writers, their trying their hand at poetry.

Shiloh is a wonderfully dramatic battle. The leader of one side is killed, and the other one is going on to glory, and it was the first great battle. It lasted two days.

I abhor the idea of a perfect world. It would bore me to tears.

Well fight them sir til hell freezes over and then sir we will fight them on the ice.

The Civil War defined us as what we are and it opened us to being what we became good and bad things... It was the crossroads of our being and it was a hell of a crossroads.

A university is just a group of buildings gathered around a library. The library is the university.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

If you want a transcript of tonight's program, get a pen and write down everything I said.

I'm not letting him write anything. I didn't do anything. I just took his pen.

I've been in a serious conversation with one of my children, and a fan has come up. I've been in a public bathroom and had the hand come under the stall with a paper and pen. That sort of thing anybody can live without.

I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

What has any poet to trust more than the feel of the thing? Theory concerns him only until he picks up his pen, and it begins to concern him again as soon as he lays it down.

When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.

I've criticized President Bush for his failure to use his veto pen. There's plenty of blame to go around. The question is how to solve problems. It's not bailouts. What made America great? Free markets, free enterprise, manufacturing, job creation. That's how we're gonna do it, not by enlarging government.

You want to be a writer, don't know how or when? Find a quiet place, use a humble pen.

I am a man-pen. I feel through the pen, because of the pen.

Caesar had perished from the world of men, had not his sword been rescued by his pen.

But this is neither here nor there why do I mention it? Ask my pen, it governs me, I govern not it.

I am not afraid of the pen, or the scaffold, or the sword.

I was coming back from Tel Aviv recently, and we had forty minutes of bumps. I got so scared I grabbed a paper and pen and put them in my pocket, just in case we crashed and I needed to write a letter from wherever we landed.

In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.

To give an accurate and exhaustive account of that period would need a far less brilliant pen than mine.

Under Obama, our federal tax dollars can now be used to fund abortion all over the world. With the stroke of a pen, abortion essentially became a U.S. foreign export.

In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.

To hold a pen is to be at war.

If you have to pay the bills, and you write something you're not proud of, use a pen-name for that.