I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.

I've never shown anybody a draft of anything.

Most of my inspiration, if that's the word, came from books themselves.

And I'm a slow writer: five, six hundred words is a good day. That's the reason it took me 20 years to write those million and a half words of the Civil War.

I prize the Depression, for instance, because I learned the value of things in the Depression that a way people who don't have to worry about such things never learned to prize it really, I believe.

My second book, Follow Me Down had some success, got good critical notices, went into a second printing and things like that, but Shiloh was by far the most successful of those first five novels.

If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.

Of all the passions of mankind, the love of novelty most rules the mind. In search of this, from realm to realm we roam. Our fleets come loaded with every folly home.

I ran into Ku Klux Klan and the threat of hurricanes, and those two things made me decide not to build on the Alabama coast, so we came back to Memphis.

I took five years on the first volume, five years on the second volume, and ten years on the third volume.

When you grow up in a totally segregated society, where everybody around you believes that segregation is proper, you have a hard time. You can't believe how much it's a part of your thinking.

I never cared what kind of grade I got.

Longevity conquers scandal every time.

But the same thing was true in the army. You slept in a barracks with all kinds of people of every nationality, every trade, every character and quality you can imagine, and that was a good experience.

Getting close to books, and spending time by myself, I was obliged to think about things I would never have thought about if I was busy romping around with a brother and sister.

I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper.

I think that everything you do helps you to write if you're a writer. Adversity and success both contribute largely to making you what you are. If you don't experience either one of those, you're being deprived of something.

And I really do think that the difficulty of research makes it more real to you than punching a thing to find out how many men were killed at this particular action.

I'm crazy about Grant: his character, his nature, his science in fighting and everything else. But I don't like the idea that he never accepted the blame for anything, always found someone else to blame for any mistake that was ever made, including blaming Prentiss for Shiloh.

I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.

I think making mistakes and discovering them for yourself is of great value, but to have someone else to point out your mistakes is a shortcut of the process.

I began the way nearly everybody I ever heard of - I began writing poetry. And I find that to be quite usual with writers, their trying their hand at poetry.

Shiloh is a wonderfully dramatic battle. The leader of one side is killed, and the other one is going on to glory, and it was the first great battle. It lasted two days.

I abhor the idea of a perfect world. It would bore me to tears.

Well fight them sir til hell freezes over and then sir we will fight them on the ice.

The Civil War defined us as what we are and it opened us to being what we became good and bad things... It was the crossroads of our being and it was a hell of a crossroads.

A university is just a group of buildings gathered around a library. The library is the university.

Still, language is resilient, and poetry when it is pressured simply goes underground.

I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.

Art: If the object of poetry is, to make men, then poetry is the heir of prophecy.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

The gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.

Poetry is a matter of life, not just a matter of language.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

Because people are very interested in my poetry, in what I say.

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

It is the timber of poetry that wears most surely, and there is no timber that has not strong roots among the clay and worms.

I was reading the poems of Rochester. Rochester made himself out to be bisexual, but I think that was only to shock. Most of his poetry is sexual, even pornographic.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.

Poetry is an art, the easiest to dabble in, but the hardest to reach true excellence.

Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.

Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry.

To know anything of a poet but his poetry is, so far as the poetry is concerned, to know something that may be entertaining, even delightful, but is certainly inessential.

Lapped in poetry, wrapped in the picturesque, armed with logical sentences and inalienable words.

I don't know a better preparation for life than a love of poetry and a good digestion.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.

There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.