I say what I feel. I try to be tactful, but I can't not say what I feel. I have a really big problem with that.

It's not sometimes realistic to think that something magical can happen, but I think I look for the magic.

I don't think I could ever do a network sitcom because the humor is often based on some trite circumstance. I don't want to be a part of a show where it's mostly about coming up with the jokes.

Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

It's completely different to work with a woman that is my age, maybe younger.

We all have sadness in our life and things that we can draw upon.

I loved working on Of Mice and Men. It was a wonderful group of people. John Malkovich is to me one of the best actors around right now-and a lot of fun to work with.

In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique.

Now I know why guys like to hug girls. You guys just want to cop a feel. I can't believe that I've fallen for it all these years!

I really loved Twin Peaks. When I saw the two-hour pilot, they screened it in the big theatre. I said, I don't know what is going to happen. I'm in this and I don't understand it. This is never going to sell. Who's going to watch this thing?

Jessica Lange in Frances... was dramatic and passionate and one of the strongest performances I've seen a woman do.

The difference between working with a man and a woman... is immense.

You say a line and you wait for them to laugh, then you say another line and you wait... It felt weird to me. But it's interesting and the energy is almost like theatre, I suppose, with all the people there.

At the very least, my tastes are out of the ordinary.

I've always been drawn to Marilyn Monroe, but certain aspects of her story may be too sad to tell.

My mother's been married many, many times and grew up believing in love like that. It's remarkable.

I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.

I don't want my body to look like a man's. I just want to tone my body.

I don't flirt and I don't play the people that I'm meeting with.

I love to dance. But I don't like being up in front of tons of people. I didn't have the desire to be performing in front of a lot of people. So it wasn't something I ever seriously considered.

Bleaching my hair for Two Moon Junction... my hair was fried and I looked like an idiot.

I can sing, but my voice is untrained. I'd like to do a musical someday.

Harrison Ford... I love him. He's a man's man.

I think there's an anxiety in life where we automatically tend to look to the next thing or we're complaining about the past. Worrying is not going to make it happen or not happen.

Generally, Hollywood makes the same stories over and over. I've never wanted to do the same thing twice. If a script doesn't surprise me in some way, I simply can't commit to the project.

I say what I feel. I try to be tactful, but I can't not say what I feel. I have a really big problem with that.

There is something at work that's bigger than us. It's about having a trust in life and being at peace that things are happening the way they should. You do what you do as well as you can do it, and then you don't worry or agonize about the outcome.

When I read the script, I was like, Hello, woman in a box. I had to explore that to the end.

Women do feel like they're in a box. Society, Hollywood, some men-they want to wrap women up in a neat little package.

I was a brat. It was crazy, I was very picky. In other words, I didn't take advantage of what was happening.

I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.

I think theres an anxiety in life where we automatically tend to look to the next thing or were complaining about the past. Worrying is not going to make it happen or not happen.

If I had my way, I would never do a leading role.

I like to write sad songs. They're much easier to write and you get a lot more emotion into them. But people don't want to hear them as much. And radio definitely doesn't; they want that positive, uptempo thing.

I grew up feeling 'less than.' I was the sad, shy child hiding in the hall closet beneath coats. I'd wait for my grandmother's voice to call, 'Jewell, Jewell.' I was lost, waiting to be found. I thought being found, I'd be happier, better. All the while, I read stories. Stories with both truth and lies.

I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.

There is always an emotional element to anything that you make.

Snowflakes are kisses from heaven.

I was meant to date the captain of the football team, I was going to be on a romantic excursion every Saturday night, I was destined to be collecting corsages from every boy in town before prom, accepting such floral offerings like competing sacrifices to a Delphic goddess.

There are always some doubts when you do a new album though. You wonder whether you succeeded or not, especially when you waited as long as I did for this one - seven years. You're never really sure if it will be a nice record or not.

When I first began writing, and I told people what I wrote, I'd get a blank stare and sometimes a 'Huh?' They weren't sure what young adult literature was. Now everyone knows.

I guess my tendency is to think essentially that the new wrinkles won't do the job if the old major idea didn't, and so you have to try something different. Then maybe they can all be combined in some coherent piece.

What we are going to offer is not a one-way communication, but one-to-one communication.

I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?

And it sends an important message to me, because I am sick to death to hear my opponent saying Republicans don't trust me. They do trust me, in landslide proportions, and they're proving it tonight. We're going to bury that for good.

We're a fast-moving, needy species.

My writing often contains souvenirs of the day - a song I heard, a bird I saw - which I then put into the novel.

Have you ever sensed that our soul is immortal and never dies?

A moderate addiction to money may not always be hurtful; but when taken in excess it is nearly always bad for the health.