When I read the script, I was like, Hello, woman in a box. I had to explore that to the end.

It's not sometimes realistic to think that something magical can happen, but I think I look for the magic.

I don't think I could ever do a network sitcom because the humor is often based on some trite circumstance. I don't want to be a part of a show where it's mostly about coming up with the jokes.

Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

It's completely different to work with a woman that is my age, maybe younger.

We all have sadness in our life and things that we can draw upon.

I loved working on Of Mice and Men. It was a wonderful group of people. John Malkovich is to me one of the best actors around right now-and a lot of fun to work with.

In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique.

Now I know why guys like to hug girls. You guys just want to cop a feel. I can't believe that I've fallen for it all these years!

I really loved Twin Peaks. When I saw the two-hour pilot, they screened it in the big theatre. I said, I don't know what is going to happen. I'm in this and I don't understand it. This is never going to sell. Who's going to watch this thing?

Jessica Lange in Frances... was dramatic and passionate and one of the strongest performances I've seen a woman do.

The difference between working with a man and a woman... is immense.

You say a line and you wait for them to laugh, then you say another line and you wait... It felt weird to me. But it's interesting and the energy is almost like theatre, I suppose, with all the people there.

At the very least, my tastes are out of the ordinary.

I've always been drawn to Marilyn Monroe, but certain aspects of her story may be too sad to tell.

My mother's been married many, many times and grew up believing in love like that. It's remarkable.

I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.

I don't want my body to look like a man's. I just want to tone my body.

I don't flirt and I don't play the people that I'm meeting with.

I love to dance. But I don't like being up in front of tons of people. I didn't have the desire to be performing in front of a lot of people. So it wasn't something I ever seriously considered.

Bleaching my hair for Two Moon Junction... my hair was fried and I looked like an idiot.

I can sing, but my voice is untrained. I'd like to do a musical someday.

Harrison Ford... I love him. He's a man's man.

I think there's an anxiety in life where we automatically tend to look to the next thing or we're complaining about the past. Worrying is not going to make it happen or not happen.

Generally, Hollywood makes the same stories over and over. I've never wanted to do the same thing twice. If a script doesn't surprise me in some way, I simply can't commit to the project.

I say what I feel. I try to be tactful, but I can't not say what I feel. I have a really big problem with that.

There is something at work that's bigger than us. It's about having a trust in life and being at peace that things are happening the way they should. You do what you do as well as you can do it, and then you don't worry or agonize about the outcome.

When I read the script, I was like, Hello, woman in a box. I had to explore that to the end.

Women do feel like they're in a box. Society, Hollywood, some men-they want to wrap women up in a neat little package.

I was a brat. It was crazy, I was very picky. In other words, I didn't take advantage of what was happening.

I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.

I think theres an anxiety in life where we automatically tend to look to the next thing or were complaining about the past. Worrying is not going to make it happen or not happen.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

Every new beginning comes from some other beginning's end.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.