Once you're a Motown artist, that's your stigmatism, and I was there from the very first day.

Songwriting is my gift from God.

There are very few courses around Detroit I haven't played.

You know what, life is full of temptations.

There's so many wonderful gospel people out there, and I don't necessarily want to compete with those people.

I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music.

We're very physical creatures, and we worry about how we look sometimes more than our spiritual selves.

Motown will always be a heavy-duty part of my life because those are my roots.

When you write a song, a song has longevity.

We're all going to be victims of temptation at several points in our lives.

I played golf all over Detroit.

I've been speaking at churches for years, as well as juvenile jails, rehabs and hospitals, and I always talk about my faith. That is a declaration of my relationship with God.

Drugs are in every walk of life - doctors, lawyers, preachers, the guy who works for IBM, teenagers on the street, teenagers in school.

The only thing you're taking out of here is your spirit and your soul, so we need to be conscious to try and develop that part of ourselves, because we're all spiritual creatures.

I always try to write a song, I never just want to write a record.

Once you're a Motown artist, that's your stigmatism, and I was there from the very first day.

I really haven't strayed too far, musically, from my roots.

I left Motown because of the regime of people who were there.

Originally I was not writing songs for myself.

Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential.

As human beings, we're very materialistic and have all this stuff - furs and cars and diamonds and money.

My mother was a churchgoing lady, so I always heard about God at home.

Once you're a Motown artist, you're always a Motown artist.

And I can say this, most of the people who have recorded my songs are songwriters themselves.

That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to.

People still look at Michael Jackson as being a Motown artist.

In fact, I wouldn't really call this a Gospel album, I call it more an inspirational album.

When someone picks up one of my songs and records it, I'm a flattered man, it's a blessing to me.

As a kid, this is what I wanted my life to be. Not in my wildest dreams did I ever dare to dream that it would be this.

You know what, I'm probably one of the most blessed people there's ever been, and I thank God for it.

One thing I can say about the Motown acts is that we were a family. That's not a myth.

Had I not come out with an inspirational CD, you perhaps would have never known that I feel like I feel, that all songs, all the music I've ever done is a gift from God.

So I wanted to sing inspirational music, and that's exactly how I approached it - only the words have been changed to declare my relationship with God.

I had been stockpiling Gospel songs for other artists, and had planned to submit them to Gospel artists.

A taste of honey is worse than none at all.

There's some sad things known to man, but ain't too much sadder than, the tears of a clown when no one's around.

As human beings, we're very materialistic and have all this stuff furs and cars and diamonds and money.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.