I had been stockpiling Gospel songs for other artists, and had planned to submit them to Gospel artists.

Songwriting is my gift from God.

There are very few courses around Detroit I haven't played.

You know what, life is full of temptations.

There's so many wonderful gospel people out there, and I don't necessarily want to compete with those people.

I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music.

We're very physical creatures, and we worry about how we look sometimes more than our spiritual selves.

Motown will always be a heavy-duty part of my life because those are my roots.

When you write a song, a song has longevity.

We're all going to be victims of temptation at several points in our lives.

I played golf all over Detroit.

I've been speaking at churches for years, as well as juvenile jails, rehabs and hospitals, and I always talk about my faith. That is a declaration of my relationship with God.

Drugs are in every walk of life - doctors, lawyers, preachers, the guy who works for IBM, teenagers on the street, teenagers in school.

The only thing you're taking out of here is your spirit and your soul, so we need to be conscious to try and develop that part of ourselves, because we're all spiritual creatures.

I always try to write a song, I never just want to write a record.

Once you're a Motown artist, that's your stigmatism, and I was there from the very first day.

I really haven't strayed too far, musically, from my roots.

I left Motown because of the regime of people who were there.

Originally I was not writing songs for myself.

Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential.

As human beings, we're very materialistic and have all this stuff - furs and cars and diamonds and money.

My mother was a churchgoing lady, so I always heard about God at home.

Once you're a Motown artist, you're always a Motown artist.

And I can say this, most of the people who have recorded my songs are songwriters themselves.

That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to.

People still look at Michael Jackson as being a Motown artist.

In fact, I wouldn't really call this a Gospel album, I call it more an inspirational album.

When someone picks up one of my songs and records it, I'm a flattered man, it's a blessing to me.

As a kid, this is what I wanted my life to be. Not in my wildest dreams did I ever dare to dream that it would be this.

You know what, I'm probably one of the most blessed people there's ever been, and I thank God for it.

One thing I can say about the Motown acts is that we were a family. That's not a myth.

Had I not come out with an inspirational CD, you perhaps would have never known that I feel like I feel, that all songs, all the music I've ever done is a gift from God.

So I wanted to sing inspirational music, and that's exactly how I approached it - only the words have been changed to declare my relationship with God.

I had been stockpiling Gospel songs for other artists, and had planned to submit them to Gospel artists.

A taste of honey is worse than none at all.

There's some sad things known to man, but ain't too much sadder than, the tears of a clown when no one's around.

As human beings, we're very materialistic and have all this stuff furs and cars and diamonds and money.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.