I became interested in making books, starting about 1965, when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked.

The other great development has been in photography, but that too was influenced by Conceptual art.

A blind man can make art if what is in his mind can be passed to another mind in some tangible form.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.

I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.

In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite; that is, they were complete using all possible variations. This kept them simple.

Minimal art went nowhere.

Artists teach critics what to think. Critics repeat what the artists teach them.

The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.

Buying books was a way anyone could acquire a work of art for very little.

The thinking of John Cage derived from Duchamp and Dada. I was not interested in that.

All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.

Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.

Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.

Every generation renews itself in its own way; there's always a reaction against whatever is standard.

Minimalism wasn't a real idea - it ended before it started.

The narrative of serial art works more like music than like literature.

You shouldn't be a prisoner of your own ideas.

During the '70s I was interested in words and meaning as a way of making art.

I became interested in making books, starting about 1965, when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked.

Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.

I was not interested in irony; I wanted to emphasize the primacy of the idea in making art.

Artists of many diverse types began using simple forms to their own ends.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

It is the interest one takes in books that makes a library. And if a library have interest it is; if not, it isn't.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood.

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

The proper study of mankind is books.

I have written about 10 books, all just practical encouragement for moms.

Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature.

Good books, like good friends, are few and chosen; the more select, the more enjoyable.

You could say, in a vulgar Freudian way, that I am the unhappy child who escapes into books. Even as a child, I was most happy being alone. This has not changed.

Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you because geography books no longer exist.

As I have studied the Bible and the Book of Mormon, I have come to know through the power of the Spirit of God, that these books contain the fullness of the gospel of Jesus Christ.

There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

Then I found books that were written much later, as late as 15 years ago. It was very superficial material, but enough to tell me that the genesis of this story was worth exploring.

To buy books would be a good thing if we also could buy the time to read them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

In my subconscious, my books were part of a single emotional journey.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I never buy magazines, I never even buy books.

Books are funny little portable pieces of thought.

Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.

Well see, I'm a good enough writer that not everybody in my books talks exactly like I do.