My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

I believe that nothing comes of nothing, even in Shakespeare. I wanted to know where he got the matter he was working with and what he did with that matter.

I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.

I'm not spitting in my own soup, I love having spent my life thinking about these things-but you don't have to know anything about his life, even though I've just written a biography!

First of all, Shakespeare is about pleasure and interest. He was from the first moment he actually wrote something for the stage, and he remains so.

It is not that Shakespeare's art is in technicolor and fancy, and that real life is black and white and tedious. The life that Shakespeare was living was the only life he had, and he had to use it to create what he was doing.

My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.

But I never listen to music while I'm writing.

I've been at this for 40 years. And, as an academic, I've been content with relatively small audiences, with the thought that the audience I long for will find its way eventually to what I have written, provided that what I have written is good enough.

I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.

I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.

The Shakespeare that Shakespeare became is the name that's attached to these astonishing objects that he left behind.

Now a Protestant confronting a Catholic ghost is exactly Shakespeare's way of grappling with what was not simply a general social problem but one lived out in his own life.

I believe that it is a whole lifetime of work on Shakespeare's part that enabled him to do what he did. But the question is how you can explain this whole lifetime in such a way to make it accessible and available to us, to me.

What we know is that Shakespeare wrote perhaps the most remarkable body of passionate love poetry in the English language to a young man.

Well it is certainly the case that the poems - which were in fact published during Shakespeare's lifetime - are weird if they began or originated in this form, as I think they did, because the poems get out of control.

What matters here are the works - finally without them his life would be uninteresting. What matters, that is, are the astonishing things that he left behind. If we can get the life in relation to the works, then it can take off.

First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him.

But if Shakespeare himself is maybe about meaning and truth, I don't know, then he is certainly about pleasure and interest, we start with pleasure and interest, but maybe eventually it gets to meaning and truth.

No special writing rituals. And my desk is usually cluttered.

When he was twenty-three or twenty-four my father began to learn German and read philosophy in his spare hours, which did not look as though he were destined to remain long on board ship!

My father was often angry when I was most like him.

Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.

Most fathers don't see the war within the daughter, her struggles with conflicting images of the idealized and flawed father, her temptation both to retreat to Daddy's lap and protection and to push out of his embrace to that of beau and the world beyond home.

My mother is Irish, my father is black and Venezuelan, and me - I'm tan, I guess.

My father was a police officer before he retired. One of my brothers is also a police officer, and I think they kind of expected I would do something along those lines, like become a fireman or something.

The fame aspect of winning the Masters... besides being married and becoming a father, that's a strong third there.

I'd rather be David Ladd's father than Alan Ladd any day.

I hated Chris, my brother. I would pull his hair and kick him, until one day my father gave him permission to fight back. I'll be apologizing to him for the rest of my life.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.

Therefore, I do not wish to consider any proposition to cede any portion of our tribal holdings to the Great Father.

My father was an agnostic.

My father taught me that the only way you can make good at anything is to practice, and then practice some more.

I want to be a soldier as my father was.

Theses officers were good friends, so it must have been a terrible argument, because the one who played chess with my father was so angry that he walked over to the dentist's house and got the dentist out of bed and shot him.

My father started me singing in church.

My father could have been deported because on his immigration application he said that he was a printer, obviously because he didn't want them to be checking his writings.

The God of the Christians is a father who makes much of his apples, and very little of his children.

Middle age is the awkward period when Father Time starts catching up with Mother Nature.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.

A king, realizing his incompetence, can either delegate or abdicate his duties. A father can do neither. If only sons could see the paradox, they would understand the dilemma.

I am indebted to my father for living, but to my teacher for living well.

Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up.

My father said there were two kinds of people in the world: givers and takers. The takers may eat better, but the givers sleep better.

Prior to that, I had associated this music with older people, like my father.

The worst misfortune that can happen to an ordinary man is to have an extraordinary father.

When I was a child of six or seven my father would show me the chapter in the prophet Isaiah where the name Immanuel is found; more than once he spoke to me of the faith he put in me.