First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

I believe that nothing comes of nothing, even in Shakespeare. I wanted to know where he got the matter he was working with and what he did with that matter.

I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.

I'm not spitting in my own soup, I love having spent my life thinking about these things-but you don't have to know anything about his life, even though I've just written a biography!

First of all, Shakespeare is about pleasure and interest. He was from the first moment he actually wrote something for the stage, and he remains so.

It is not that Shakespeare's art is in technicolor and fancy, and that real life is black and white and tedious. The life that Shakespeare was living was the only life he had, and he had to use it to create what he was doing.

My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.

But I never listen to music while I'm writing.

I've been at this for 40 years. And, as an academic, I've been content with relatively small audiences, with the thought that the audience I long for will find its way eventually to what I have written, provided that what I have written is good enough.

I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.

I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.

The Shakespeare that Shakespeare became is the name that's attached to these astonishing objects that he left behind.

Now a Protestant confronting a Catholic ghost is exactly Shakespeare's way of grappling with what was not simply a general social problem but one lived out in his own life.

I believe that it is a whole lifetime of work on Shakespeare's part that enabled him to do what he did. But the question is how you can explain this whole lifetime in such a way to make it accessible and available to us, to me.

What we know is that Shakespeare wrote perhaps the most remarkable body of passionate love poetry in the English language to a young man.

Well it is certainly the case that the poems - which were in fact published during Shakespeare's lifetime - are weird if they began or originated in this form, as I think they did, because the poems get out of control.

What matters here are the works - finally without them his life would be uninteresting. What matters, that is, are the astonishing things that he left behind. If we can get the life in relation to the works, then it can take off.

First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him.

But if Shakespeare himself is maybe about meaning and truth, I don't know, then he is certainly about pleasure and interest, we start with pleasure and interest, but maybe eventually it gets to meaning and truth.

No special writing rituals. And my desk is usually cluttered.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

English football has just had a transfer window imposed for the first time, so it will be interesting to see how managers cope with the squads they have until it re-opens.

Even if you do learn to speak correct English, whom are you going to speak it to?

Sometimes I feel I can't quite master my written and spoken Spanish, because I'm too much a student of English. I would need another lifetime to learn it.

It has since been agreed that speeches given in English will be translated into French and vice versa, and even into German and Italian when necessary. No doubt translations into Esperanto will also soon be in demand.

I'm learning English at the moment. I can say 'Big Ben', 'Hello Rodney', 'Tower Bridge' and 'Loo'.

No people in the world can make you feel so small as the English.

The one great principle of English law is to make business for itself.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.

The English are polite by telling lies. The Americans are polite by telling the truth.

In English we must use adjectives to distinguish the different kinds of love for which the ancients had distinct names.

Although spoken English doesn't obey the rules of written language, a person who doesn't know the rules thoroughly is at a great disadvantage.

We have always found the Irish a bit odd. They refuse to be English.

I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning.

The number one secret of being a successful writer is this: marry an English major.

A Shakespeare could have arisen only on English soil. In the same way, your great dramatists and poets express the nature and essence of the Norwegian people, but they also express that which is universally valid for all mankind.

I can scarcely manage to scribble a tolerable English letter. I know that I am not a scholar, but meantime I am aware that no man living knows better than I do the habits of our birds.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

The true sovereign is not the American president nor the English king, but the Lord of the Second Advent.

The English press treated the world premiere of my first talking picture as a major event.

Let the teachers teach English and I will teach baseball. There is a lot of people in the United States who say isn't, and they ain't eating.

French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.

Well, I'm having a good time. Which makes me feel guilty too. How very English.

Let us work toward greater cooperation with all Caribbean Countries, whether we speak English, Dutch, French or Spanish, whether we are independent or not, and whether we be island or continental territories.

The English Bible - a book which, if everything else in our language should perish, would alone suffice to show the whole extent of its beauty and power.

Eventually, in '84, we made a film for a little over a million dollars - with American actors that was shot in English - that was shown in Finland A little action film called Born American.

I believed that English-speaking people had a divine mission to civilize the world by making it western, democratic and Christian.