Well, yeah, I sang to some songs on the radio or in the shower.

But, then again, I wouldn't call myself an indie-rock supporter even if there are some really good bands out there and there will always be some real good new bands.

There's no point that an album should sound like a watered down version of another album.

We were delighted to have Nigel as a producer. The only problem is that Nigel is so famous that he seems to dominate most interviews without being there.

I guess the majority of people who want to ban certain musicians are the ones who are so proud of everything America stands for.

I really do think everybody can sing.

I'm not sure if you can blame everything on the American way of life, but the United States are big. So, if you have a lot of people there, the percentage of stupid people is bound to be higher.

I'm more into describing a scenario and I move around in that scenario.

I think the focus of the media changes. At the moment the more electronic stuff like trip-hop was the flavor of the month, just a little while ago. It all depends on the angle, from which point of view you see it.

A good voice isn't so important. It's more important to sound really unique.

Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.

I like that band Get Hustle. They're cool live. I haven't heard their records, though.

Lou Reed is something like a personal favorite of mine, but you could always put me into that drawer of singers who can't really sing, who speak their songs.

Well, yeah, I sang to some songs on the radio or in the shower.

I don't even think my voice is really good.

If a voice is just too nice, without an edge, it kinda all flows by. You forget it. You don't listen to the lyrics.

We're not on a desperate mission to write chart compatible stuff.

We always did our own mixing.

The lyrics are different from Nick Cave songs and lyrics. His songs are very narrative.

If you want to be negative about the whole thing you can say all guitar bands after the Beatles were just a waste of time because the Beatles were the best. I think it's far better to give new records a try.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

I never decided to start singing, to be a singer.

We're probably a couple of freaks who've created their own little universe, are living in our own little world and that's the only place where we can survive.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

I remembered their songs but I had never owned a Beatles album.