I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.

We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

Eat as much as you like - just don't swallow it.

It's definitely the highest rated pre-school show on Cable. It's difficult to mix markets that way in terms of ratings. It's hard to tell, you know, where channel 12, or Public Television, is.

Well, my aspirations certainly were not to be in a pre-school show. I mean, it's certainly nothing that I considered; it's nothing I ever thought anyone would ever let me do.

And I think that if I were a for real celebrity that was recognizable everywhere, I'd just crawl under a rock and you know, have someone run over the rock with a car, or something.

The idea of the show is that it's active and that children will become involved and watch the show, but also participate in the show. And I didn't know if that would work.

I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.

I always, always liked children... I was very afraid of them before. Because I never really grew up, I mean, with a lot of little kids around. Even though I am from a kind of Italian family, I never really grew up with a lot of little kids around.

It's really hard to say how long the show will last and will continue. I hope it lasts for a very long time. As long as kids watch it, anyway. But beyond this, sure, I would love to be doing film. I'd love to be doing more theater and perhaps even writing.

I knew early on after the first couple episodes were fully scored and animated that we had a real quality show here. But I always questioned whether or not it would work.

I mean, that's another big surprise of the show, is that I see sixteen year old people who recognize me and they're honest, for-real fans of the show. And it goes down to nine months. I mean, I've heard of nine month to year-old children who are watching the show.

'Blues Clues' has been incredibly good to me, and I've been working so hard on it for so long that I take it very personally. I wouldn't want to do anything to jeopardize what so many kids love. So there's a lot of responsibility there.

Acting on a blue screen is awful.

I just don't think it's true that people can't do something else after they've done something that seems so permanent.

I learned really valuable lessons from 'Blue's Clues.' I'd repeat them every day. 'You can do things. You are smart.'

I probably shouldn't live in New York.

I started trying to do my own music at home, and I was like, 'You know what, I can play the guitar, sort of. And I can do these things, sort of. And I can make these crazy noises on my computer, sort of. But I need a ridiculously good drummer. I need someone to help me with string arrangements.'

I'm a micro-celebrity, about as small a celebrity as you can be.

I'm officially near-famous. If you've got four year old kids and you've got cable, then you've got no choice but to know who I am. But if you're one of my peers - a 26-year old guy who lives in Manhattan - you have no idea who I am. I'm only famous if you're four.

If we want parents to be discerning about what children are watching then we need to put stuff in there for them to watch, too.

Music is my life - acting's just a hobby.

My fantasy for children's television is that it's not really children's television, it's everybody's television.

Please don't make me sound like a crazy hermit, but I don't like crowds or noise.

When I was 14 I would pick up my brother's bass guitar, and I would just pound on it, having no idea how to play it.

When I was a kid, my mom used to run the vacuum cleaner, and the noise would bother me so much that I would run into the woods to calm down. I feel like that vacuum cleaner has been on since I moved to New York City.

Much of our trading comes down to a battle between our patience and our impulses.

The majority of short term trading results are just random. In the long term the money ends up with those that can trade and manage risk.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

As I say, there was this movement to try to bring philosophers and mathematicians together into an organization where they would talk to each other. An organization wasn't effective unless you had a journal. That's about all I know.

And they talk about their bona fide doctors. They have a list of doctors that signed affidavits from looking at a picture of Terry. That's where they get their information from, by looking at a picture.

Of every ten persons who talk about you, nine will say something bad, and the tenth will say something good in a bad way.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I appreciate life, talk a lot, love to laugh, and am very optimistic.

Forgive me my nonsense, as I also forgive the nonsense of those that think they talk sense.

When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.

Americans are big boys. You can talk them into almost anything. Just sit with them for half an hour over a bottle of whiskey and be a nice guy.

The rule is not to talk about money with people who have much more or much less than you.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I can't talk to a man who bears an undeserved animosity towards ferrets.

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.

I cannot sing, dance or act; what else would I be but a talk show host.

Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.