Every film can be fun, even if it's a terror.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

No matter how bad your life gets, you can always turn it around.

I love the fame and the money and the power. You have to keep working to have that.

From 1980 to 1990, I shot more films than any other actor in the Screen Actors Guild, apart from Gene Hackman.

I'm not bragging but my movies have grossed well over a billion dollars.

I've only had good experiences with actors. Starring next to them and directing them, for the most part they're all inspiring, special people.

I'm somebody who deserves to be supported and encouraged to continue my work because I have a lot to give.

I'm lucky to be in this business. I'm very grateful.

Directing is a tremendous art.

If you're an underdog, mentally disabled, physically disabled, if you don't fit in, if you're not as pretty as the others, you can still be a hero.

You never know who's going to become your friend. Friends are always chance meetings.

I'm somebody who's really contributed to culture. Popular culture.

You can tell when you're in a hit.

If you put down a list of jobs, doctor, lawyer, janitor, teacher or movie star, everybody would pick the movie star. And why? So you could lie around the pool, drink margaritas and send money to your parents. So that's what I did.

Typecasting is a good thing. It's good to be known for what you do.

A gay man can be friends with a straight man. That can happen.

It's good Xerox is known for its copying machines, and it's good Jim Carrey is known for comedy.

Everyone keeps asking me, What are you doing? I say, Why do I need to do anything? I'm rich.

When you're starting out as an actor, there isn't much food around. I was lucky to have a hit pretty early on. I didn't starve too long.

I'm sure if you dig deep, Joe and Ralph Fiennes do it because they want to be noticed.

A career is a series of ups and downs, of comebacks.

Underneath all the skin, we're all the same.

I'm not going to say, I'm an actor and I'm changing the world. Who cares?

When people are nasty, it gets everybody's attention, and it gives them a name.

I've made a lot of people a lot of money, and I've made a lot of people really happy. I've entertained millions and millions of people.

The allure of Hollywood is huge when you don't know anything. You don't know the knives behind the smiles.

In Utah, there are no bad things in the water there. It's just smooth, really beautiful.

Someone's just told me the English are still trying to take over the United States - is that true?

Unless you're Jack Lemmon or Cary Grant, there are few guys who can do comedy and drama.

There are 100,000 actors in the Screen Actors Guild. Only 2,000 of them make more than $75,000 a year.

Every film can be fun, even if it's a terror.

For 15 years I did two to three movies a year, sometimes four. I didn't get to spend time building my personal life.

Sometimes its good to miss a bus. It might be the wrong bus.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.