So you eat, you sleep, and then this wonderful child comes out, but you don't feel like you have any control over that process, over her, over her character and who she is.

To me, a feminist belongs in the same category as a humanist or an advocate for human rights. I don't see why someone who's a feminist should be thought of differently.

It takes as much discipline to be a mother and a wife as it does to do anything else.

I wouldn't characterize my work, however, as directly political.

You have to defend your honor. And your family.

Some girls are taught to be sexy.

In the end, my pursuit of the elusive New York State driver's license became about much more than a divorced woman's learning to drive for the first time.

I had some fears as a kid, but I was also relatively fearless. Maybe that's a result of living half the time in reality and the other half in fantasy.

I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.

Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that.

Don't make a threat and then not do it.

How weird it was to drive streets I knew so well. What a different perspective.

When I was pregnant, I felt filled with life, and I felt really happy. I ate well, and I slept well. I felt much more useful than I'd ever felt before.

My intellect has always been more responsible than my emotions for how I respond to the world.

So you eat, you sleep, and then this wonderful child comes out, but you don't feel like you have any control over that process, over her, over her character and who she is.

There are no rules in fights with girls. Just hurting.

I think people are sexy when they have a sense of humor, when they are smart, when they have some sense of style, when they are kind, when they express their own opinions, when they are creative, when they have character.

I don't think gender is aesthetically defining for me.

Of course, sometimes when you write personally, you are also writing about society, obliquely reflecting topical issues, but not in a way that people would expect you to or in the way that someone trying to make a point would.

I was always inventing characters and making up stories.

If you have to fight a crowd of boys, it's best to go for the biggest one. That way you won't have to fight them all. The others will see that you mean business and you will win their respect.

Girls are crazy and mean. They don't fight fair.

I still consider myself a feminist.

My mother wanted me to understand that as a woman I could do pretty much whatever I wanted to, that I didn't have to use sex or sexuality to define myself.

Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life.

A lot of my writing is not terribly civilized.

Writing is always personal in some way but not always in a direct way.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.