A lot of my writing is not terribly civilized.

To me, a feminist belongs in the same category as a humanist or an advocate for human rights. I don't see why someone who's a feminist should be thought of differently.

It takes as much discipline to be a mother and a wife as it does to do anything else.

I wouldn't characterize my work, however, as directly political.

You have to defend your honor. And your family.

Some girls are taught to be sexy.

In the end, my pursuit of the elusive New York State driver's license became about much more than a divorced woman's learning to drive for the first time.

I had some fears as a kid, but I was also relatively fearless. Maybe that's a result of living half the time in reality and the other half in fantasy.

I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.

Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that.

Don't make a threat and then not do it.

How weird it was to drive streets I knew so well. What a different perspective.

When I was pregnant, I felt filled with life, and I felt really happy. I ate well, and I slept well. I felt much more useful than I'd ever felt before.

My intellect has always been more responsible than my emotions for how I respond to the world.

So you eat, you sleep, and then this wonderful child comes out, but you don't feel like you have any control over that process, over her, over her character and who she is.

There are no rules in fights with girls. Just hurting.

I think people are sexy when they have a sense of humor, when they are smart, when they have some sense of style, when they are kind, when they express their own opinions, when they are creative, when they have character.

I don't think gender is aesthetically defining for me.

Of course, sometimes when you write personally, you are also writing about society, obliquely reflecting topical issues, but not in a way that people would expect you to or in the way that someone trying to make a point would.

I was always inventing characters and making up stories.

If you have to fight a crowd of boys, it's best to go for the biggest one. That way you won't have to fight them all. The others will see that you mean business and you will win their respect.

Girls are crazy and mean. They don't fight fair.

I still consider myself a feminist.

My mother wanted me to understand that as a woman I could do pretty much whatever I wanted to, that I didn't have to use sex or sexuality to define myself.

Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life.

A lot of my writing is not terribly civilized.

Writing is always personal in some way but not always in a direct way.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it.

And that's what I've learned too: writing is key.