I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.

Back then I didn't think a woman like that, or a relationship like that, could exist with complete freedom and no jealousy or possessiveness. I thought it sounded too good to be true and I was certainly convinced it wasn't the life for me!

I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.

As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary.

The only thing I was trying to portray was serenity. Also, innocence, vulnerability and elegance.

The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now.

I'm very glad to have something to be passionate about. I can't imagine a life without passion.

I have to be careful not to be too proud in life, because there is always room for improvement.

Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.

I still have agents in France, Los Angeles and Amsterdam who call and suggest parts. I'd love to keep on doing both painting and acting until the end of my days.

When a new generation watches the films, people might mention that it has improved their lovemaking. I guess it's because it isn't threatening. It was very sweet and delicate.

I am a divorced child, of divided, uncertain background. Within this division I - supposed fruit of their love - no longer exist. It happened nearly forty years ago, yet to me, nothing is sadder than my parents' divorce.

I don't expect too much from the afterlife, I think that I know very well what pain is. When I think of the end of my life, I think mainly: I didn't do nothing, but I could have done more.

I have a talent for happiness. I look with the eyes of a painter, and I see beauty.

I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!

I love to invent - avoiding the truth. I need to dramatize.

I make a big pot of pasta with vegetables, and I stretch it out for the week.

I was a silent actress: a body. I belonged to dreams - to those who can't be broken.

My mother was Protestant, and in her mind life was more about work and obligations and responsibilities.

No one has taken my heart in their hand. I haven't given it... I have lent myself, rented myself out, but never given myself.

People don't assume John Wayne shoots people and rides a horse on weekends.

Self confidence for me is a fragile fleece.

The creams I use are not expensive. Nivea is just as good. Why waste a fortune?

You're much better off as a love goddess to die around the age of 40.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

My favorite actors when I was a kid were in their '60s. Spencer Tracy, Humphrey Bogart, John Wayne.

I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.