The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now.

Back then I didn't think a woman like that, or a relationship like that, could exist with complete freedom and no jealousy or possessiveness. I thought it sounded too good to be true and I was certainly convinced it wasn't the life for me!

I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.

As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary.

The only thing I was trying to portray was serenity. Also, innocence, vulnerability and elegance.

The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now.

I'm very glad to have something to be passionate about. I can't imagine a life without passion.

I have to be careful not to be too proud in life, because there is always room for improvement.

Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.

I still have agents in France, Los Angeles and Amsterdam who call and suggest parts. I'd love to keep on doing both painting and acting until the end of my days.

When a new generation watches the films, people might mention that it has improved their lovemaking. I guess it's because it isn't threatening. It was very sweet and delicate.

I am a divorced child, of divided, uncertain background. Within this division I - supposed fruit of their love - no longer exist. It happened nearly forty years ago, yet to me, nothing is sadder than my parents' divorce.

I don't expect too much from the afterlife, I think that I know very well what pain is. When I think of the end of my life, I think mainly: I didn't do nothing, but I could have done more.

I have a talent for happiness. I look with the eyes of a painter, and I see beauty.

I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!

I love to invent - avoiding the truth. I need to dramatize.

I make a big pot of pasta with vegetables, and I stretch it out for the week.

I was a silent actress: a body. I belonged to dreams - to those who can't be broken.

My mother was Protestant, and in her mind life was more about work and obligations and responsibilities.

No one has taken my heart in their hand. I haven't given it... I have lent myself, rented myself out, but never given myself.

People don't assume John Wayne shoots people and rides a horse on weekends.

Self confidence for me is a fragile fleece.

The creams I use are not expensive. Nivea is just as good. Why waste a fortune?

You're much better off as a love goddess to die around the age of 40.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.